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  • Open a larger version of the following image in a popup: Caio Reisewitz, “Tuyayah”, 2026

    Caio Reisewitz

    “Tuyayah”, 2026
    impressão inkjet, papel Hahnemühle em metacrilato
    inkjet print, Hahnemühle paper mounted on Diasec
    150 x 250 cm
    59 x 98 in
    ed 1/5
    Enquire
    %3Cdiv%20class%3D%22artist%22%3ECaio%20Reisewitz%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E%E2%80%9CTuyayah%E2%80%9D%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eimpress%C3%A3o%20inkjet%2C%20papel%20Hahnem%C3%BChle%20em%20metacrilato%3Cbr/%3E%0Ainkjet%20print%2C%20Hahnem%C3%BChle%20paper%20mounted%20on%20Diasec%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E150%20x%20250%20cm%3Cbr/%3E%0A59%20x%2098%20in%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3Eed%201/5%3C/div%3E
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    A pesquisa de Caio Reisewitz tem a fotografia como suporte principal. Através do refinamento técnico, suas composições mostram um particular interesse pela ação humana e seus efeitos sociais e políticos,...
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    A pesquisa de Caio Reisewitz tem a fotografia como suporte principal. Através do refinamento técnico, suas composições mostram um particular interesse pela ação humana e seus efeitos sociais e políticos, seja no espaço natural ou no espaço arquitetônico. Sua poética constroi um repertório que pode tanto nos colocar diante do descaso humano, quanto da poesia plástica dos ambientes.
     
    A obra Tuyayah (2025) apresenta um conjunto de imagens combinadas em uma colagem caótica, porém catártica, por meio da qual o artista expressa sentimentos insurgentes. A imagem da floresta predomina sobre pequenas outras recortadas, como a da capital Brasília, a de uma balsa de garimpo e uma flor amazônica em extinsão. O título Tuyayah representa um desdobramento da pesquisa de Caio Reisewitz, que soa como um topônimo indígena, mas trata-se de um neologismo de evocação da paisagem e território. Para o artista, esse título traz a ideia de “sopa de sonhos dos espíritos da floresta”, ao passo que, paradoxalmente, faz uma alusão ao resort mais comentado no momento, atualmente alvo de uma das investigações mais escandalosas já realizadas no Brasil. 


    In his artistic investigations, Caio Reisewitz uses photography as his primary medium. Through technical refinement, his compositions reveal a particular interest in human action and its social and political effects, whether in natural or architectural spaces. His poetics build a repertoire that can place us face to face with human neglect as readily as with the visual poetry of these environments.

     

    "Tuyayah" (2025) presents a group of images arranged in a chaotic yet cathartic collage, through which the artist gives expression to insurgent feelings. The image of the forest predominates over smaller cut-out images of motifs like Brazil’s national capital (Brasília), a mining barge, and an endangered Amazonian flower. Tuyayah is a further development in Caio Reisewitz’s research. Although its title sounds like an Indigenous toponym, it is in fact a neologism evoking landscape and territory. For the artist, this word suggests the idea of a “soup of the forest spirits’ dreams” while also, paradoxically, alluding to a Brazilian resort currently making headlines as the target of an investigation into an infamous scandal.

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