Allan McCollum
- 1944
- Los Angeles, EUA
- Vive e trabalha em Nova York, EUA
Exposições
EXPOSIÇÕES INDIVIDUAIS SELECIONADAS
2024
The World: A Moment in Time. Galerie Thomas Schulte, Berlim, Alemanha
Minime Variazioni: Drawings and Plaster Surrogates. Galleria Fumagalli, Milão, Itália
2023
Allan McCollum: The Shapes Project. Krakow Witkin Gallery, Boston, EUA
2022
Allan McCollum: Works 1970-1973. Galerie Thomas Schulte, Berlim, Alemanha
Traces: Past and Present. Friedrich Petzel Gallery, Nova York, EUA
2021
Traces. Marc Selwyn Gallery, Los Angeles, EUA
2020
Allan McCollum: Works Since 1969. ICA, Miami, EUA
2017
Collection of Nine Hundred and Eighty Shapes. University of California, São Francisco, EUA
Collection of Nine Hundred and Fifty-Five Shapes. Queens Library, Nova York, EUA
Works: 1968 – 1977. Friedrich Petzel Gallery, Nova York, EUA
Lost Objects. Mary Boone Gallery, Nova York, EUA
2016
A VENDRE, EXPOSITION. Michele Didier Gallery, Paris, França
The Shapes Project: Perfect Couples and Spinoffs. Galerie Mitterand, Paris, França
2014
The Shapes Project: Perfect Couples. Friedrich Petzel Gallery, Nova York, EUA
2013
The Book of Shapes. Mfc-michèle Didier, Paris, França
The Shapes Project and The Natural Copies from the Coal Mines of Central Utah. JGM Galerie, Paris, França
Plaster Surrogates Colored and Organized by Andrea Zittel. Petzel Gallery, Nova York, EUA
Perpetual Photos:1982/1990. Art and Public, Genebra, Suíça
2012
The Shapes Project: Perfect Couples. Barbara Krakow Gallery, Boston, EUA
2011
Allan McCollum: Drawings. JGM Galerie. Paris, França
Perfect Vehicles. Art & Public, Genebra, Suíça
Each and Every One of You. Galerie Thomas Schulte, Berlim, Alemanha
Drawings. JGM Galerie, Paris, França
2010
The Shapes Project: Shapes for Hamilton. Clifford Gallery, Colgate University, Hamilton, EUA
Each and Every One of You. La Salle de Bains, Lyon, França
Stop Motion. Friedrich Petzel Gallery, Nova York, EUA
Seriality: Sol LeWitt and Allan McCollum. Armand Bartos Fine Art, Nova York, EUA
2009
Allan McCollum: Works 1980-2008 - A Selection. Luciana Brito Galeria, São Paulo, Brasil
Shapes from Maine. Friedrich Petzel Gallery, Nova York, EUA
2008
Allan McCollum: The Shapes Project. Barbara Krakow Gallery, Boston, EUA
Sets and Situations. Studio Guenzani, Milan, Itália
Allan McCollum: Drawings. Galeria Pelaires. Mallorca, Espanha
2007
The Shapes Project. Friedrich Petzel Gallery, Nova York, EUA
Shapes. Galerie Thomas Schulte, Berlim, Alemanha
2006
Allan McCollum, Solo 8. Musée d'Art Moderne et Contemporain, Genebra, Suíça
2005
Each and Everyone of You. Southeastern Center for Contemporary Art, Winston-Salem, EUA
2004
Three Perfect Vehicles. Doris Friedman Plaza, Central Park, Nova York, EUA
Each and Every One of You. Barbara Krakow Gallery, Boston, EUA
Your Fate. Christine Burgin Gallery, Nova York, EUA
Perpetual Photos. Freiderich Petzel Gallery, Nova York, EUA
Texas Gallery, Houston, EUA
2003
The Kansas and Missouri Topographical Model Project. Grand Arts, Kansas City, EUA
2001
Signs of the Imperial Valley: Sand Spikes from Mount Signal. University Art Gallery, São Diego State University, São Diego, EUA
2000
Small World Drawings. Barbara Krakow Gallery, Boston, EUA
Visible Makers. Susan Inglett Gallery. Nova York, EUA
Signs of Mount Signal. Steppling Art Gallery, São Diego State University, Calexico, EUA
El Cerro Imposible. Museo Universitario. Universidad Autónoma de Baja California, Mexicali, Mexico
The Return of Sand Spikes. The Imperial Valley Historical Society Pioneers Museum, Imperial, EUA
THE EVENT: Petrified Lightning from Central Florida (with supplemental didactics). Friederich Petzel Gallery, Nova York, EUA
1999
Visible Markers. Galeria Massimo de Carlo, Milan, Itália
Allan McCollum: Visible Markers (TACK). Boras Kunstmuseum, Boras, Suécia
1998
THE EVENT: Petrified Lightning from Central Florida (with supplemental didactics). Contemporary Art Museum, University of South Florida, Tampa, EUA
Friedrich Petzel Gallery, Nova York, EUA
Musée d'art Moderne Villeneuve d'Ascq, França
Visible Markers. Xavier Hufkens, Brussels, Belgium
1997
Visible Markers. Susan Inglett Gallery, Nova York, EUA
1996
Fixed Intervals. John Weber Gallery, Nova York, EUA; S.L. Simpson Gallery, Toronto, Canadá
Actual Photos. Kunstraum, Munich, Alemanha
1995
Natural Copies from the Coal Mines of Central Utah. John Weber Gallery, Nova York, EUA; Gallery X, Hufkens, Brussels, Belgium
Actual Photos. Metro Picures Gallery, Nova York, EUA; Sprengel Museum, Hannover, Alemanha
Natural Copies. Sprengel Museum, Hannover, Alemanha
1994
Drawings. Museum Haus Esters, Krefeld, Alemanha; S.L. Simpson Gallery, Toronto, Canadá
1993
Drawings. Centre d' Art Contemporain, Genebra, Suíça; Galerie Franck+Schulte, Berlim, Alemanha
Castello di Rivara, Torino, Itália
Perpetual Photos. Modulo Centro Difusor De Arte, Lisbon, Portugal
Plaster Surrogates. Kohji Ogura Gallery, Nagoya, Japan
The Dog From Pompei. Studio Trisorio, Naples, Itália
Two Hundred and Forty Plaster Surrogates. Shiraishi Contemporary Art Inc., Tokyo, Japan
1992
Lost Objects. John Weber Gallery, Nova York, EUA
The Dog from Pompei. Galeria Weber, Alexander y Cobo, Madrid, Espanha; John Weber Gallery, Nova York, EUA
1991
More Drawings. Lisson Gallery, London, UK
May I Help You? American Fine Arts Co., Nova York, EUA
Plaster Surrogates. Galerie Franck + Schulte, Berlim, Alemanha
1990
Serpentine Gallery, London, UK
IVAM Centre del Carme, Valencia, Espanha
Rooseum, Malmö, Suécia
Plaster Surrogates. Galerie Yvon Lambert, Berlim, Alemanha
Julian Pretto Gallery, Nova York, EUA
Drawings. John Weber Gallery, Nova York, EUA
Perpertual Photos. The Denver Art Museum, Denver, EUA; Richard Kuhlenschmidt Gallery, Los Angeles, EUA
1989
Individual Works, Perpetual Photos. Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Alemanha
Perfect Vehicles. Studio Trisorio, Naples, Itália; Rhona Hoffman Gallery, Chicago; Richard Kuhlenschmidt Gallery, Los Angeles, EUA
Actual Photos. Urbi et Orbi Gallery, Paris, França
Perpetual Photos. John Weber Gallery, Nova York, EUA
Plaster Surrogates. Galeria 57, Madrid, Espanha
Surrogate Paintings. Julian Pretto Gallery, Nova York, EUA
Stedelijk Van Abbemuseum, Eindhoven, Netherlands
1988
Allan McCollum and Louise Lawler. Le Consortium, Centre d’Art Contemporain, Dijon, França
Individual Works. John Weber Gallery, Nova York, EUA; Musee d’Art Contemporain, Nimes, França
Portikus, Frankfurt, Alemanha
Perfect Vehicles. Galerie Yvon Lambert, Paris, França; The John and Mable Ringling Museum of Art, Sarasota, EUA
Plaster Surrogates. Annina Nosei Gallery, Nova York, EUA
Glossies. Julian Pretto Gallery, Nova York, EUA
Perfect Vehicles, 1988. Brooke Alexander, Nova York, EUA
Stichting De Appel, Amsterdam, Netherlands
Kunsthalle Zurich, Suíça
1987
Perfect Vehicles. Lisson Gallery, London, UK; Diane Brown Gallery, Nova York, EUA
Julian Pretto Gallery, Nova York
1986
Perfect Vehicles. Cash/Newhouse, Nova York, EUA; Kuhlenschmidt/Simon Gallery, Los Angeles, EUA; Rhona Hoffman Gallery, Chicago, EUA
Plaster Surrogates. Guttenbergstrasse 62, Stuttgart, Alemanha
Investigations 1986: Allan McCollum. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, EUA
Perpetual Photos. Diane Brown Gallery, Nova York, EUA
1985
Actual Photos. Gallery Nature Morte, Nova York, EUA; Heath Gallery, Atlanta, EUA; Texas Gallery, Houston, EUA; Rhona Hoffman Gallery, Chicago, EUA; Kuhlenschmidt Simon Gallery, Los Angeles, EUA
Plaster Surrogates. Lisson Gallery, London,UK; Cash/Newhouse Gallery, Nova York, EUA
1984
Plaster Surrogates. Rhona Hoffman Gallery, Chicago, EUA; Richard Kuhlenschmidt Gallery, Los Angeles, EUA
For Presentation and Display: Ideal Settings. Diane Brown Gallery, Nova York
1983
Plaster Surrogates. Marian Goodman Gallery, Nova York, EUA; Douglas Drake Gallery, Kansas, EUA
1982
Surrogate Paintings. Galerie Nicole Gonet, Lausanne, Suíça; Heath Gallery, Atlanta, EUA
Ben Shahn Galleries, William Paterson College, Wayne, EUA
1981
Glossies. Dioptre, Genebra, Suíça
Surrogate Paintings. Hal Bromm Gallery, Nova York, EUA
1980
Surrogate Paintings. Galerie Yvon Lambert, Paris, França
1979
Surrogate Paintings. Julian Pretto and Co., Nova York, EUA; Douglas Drake Gallery, Kansas City, EUA; Artists Space, Nova York, EUA; 112 Workshop, Nova York, EUA
1977
Claire S. Copley Gallery, Los Angeles, EUA
1975
Douglas Drake Gallery, Kansas City, EUA
1974
Nicholas Wilder Gallery, Los Angeles, EUA
1973
Nicholas Wilder Gallery, Los Angeles, EUA
Cusack Gallery, Houston, EUA
1972
Jack Glenn Gallery, Corona del Mar, EUA
1971
Jack Glenn Gallery, Corona Del Mar, EUA
EXPOSIÇÕES COLETIVAS SELECIONADAS
2024
Perceptions Unveiled: Jeand Dubuffet and Allan McCollum. Galerie 1900-2000, Nova York, EUA
Cosa. Musée régional d'art contemporain Occitanie, Sérignan, França
Unsettled Eye. Ruby City, San Antonio, EUA
2023
Repetition. Centre Pompidou Metz, Metz, França
Pictures and After. Musée d'Art Moderne et Contemporain, Genebra, Suíça
Day Jobs. Blanton Museum of Art, Austin, EUA
2022
You must go on. I can't go on. I'll go on. Devening Projects, Chicago, EUA
Kids Take Over. Vancouver Art Gallery, Vancouver, Canadá
2021
Les Citoyens. Triennale di Milano, Milão, Itália
Los Angeles (State of Mind). Palazzo Zevallos Stigliano Museum, Nápoles, Itália
2020
La vie dans l'espace. Musée Régional d'Art Contemporain, Sérignan, França
X. Frac des Pays de la Loire, Carquefou, França
2019
Shapes / Colors. Galerie des Bains, Geneva, Suíça
Effets Secondaires. Centre Européen d'Actions Artistiques Contemporaines, Strasbourg, França
Al Norte de la Tormenta. Museo nazionale delle arti del XXI secolo (MAXXI), Rome, Itália
2018
Picture Industry: A Provisional History of the Technical Image. Luma Arles, Arles, França
2017
WE NEED TO TALK... Artists and the public respond to the present conditions in America. Friedrich Petzel Gallery, Nova York, EUA
Cynthia Daignault: There is nothing I could say that I haven't thought before. The FLAG Art Foundation, Nova York, EUA
Unique and Singular. Cirrus Gallery, Los Angeles, EUA
Politicizing Space. The Anya and Andrew Shiva Gallery, John Jay College of Criminal Justice, Nova York, EUA
Minimalism/Post-Minimalism. Weatherspoon Art Museum, University of North Carolina, Greensboro, EUA
Doppeleröffnung - Karin Sander: Zeigen und The Present Order. Museum of Contemporary Art Leipzig (GfZK), Leipzig, Alemanha
Darkling. Barbara Krakow Gallery, Boston, EUA
Picture Industry. Hessel Museum of Art, Annandale-on-Hudson, Nova York, EUA
2016
In Place of. Miguel Abreu Gallery, Nova York, EUA
The Coveter. Dickinson Roundell, Nova York, EUA
Fade In: Int. Art Gallery – Day. Swiss Institute / Contemporary Art, Nova York, EUA
Art for a Nation: Inspiration from the Great Depression. High Desert Museum, Bend, EUA
Allan McCollum and Robert Thill; Ghosting the Screen. Cirrus Gallery, Los Angeles, EUA
2015
15. Luciana Brito Galeria, São Paulo, Brasil
The Art of Our Time. Museum of Contemporaray Art, Los Angeles, EUA
2014
Take It Or Leave It: Instituion, Image, Ideology. Hammer Museum, Los Angeles, EUA
Graphicstudio: Uncommon Practice at USF. Tampa Museum of Art. Tampa, EUA
Creativity at Work. Sun Valley Center, Sun Valley, EUA
In the Crack of the Dawn. LUMA / Westbau Zurich, Suíça
NEW YORK IN THE 1980S: URBAN THEATER. Modern Art Museum of Fort Worth, EUA
2013
The 55th International Art Exhibition: The Encyclopedic Palace. The Venice Biennale. Veneza, Itália
9ª Bienal do Mercosul. Porto Alegre, Brasil
Out of Hand: Materializing the Postdigital. Museum of Arts and Design, Nova York, EUA
CLUES. Barbara Krakow Gallery, Boston, EUA
2012
This Will Have Been: Art, Love & Politics in the 1980s. Museum of Contemporary Art, Chicago, EUA; Walker Art Center, Minneapolis, EUA; Institute for Contemporary Art (ICA), Boston, EUA
The Last Days of Pompeii. Decadence, Apocalypse, Resurrection. J. Paul Getty Museum, Getty Villa, Malibu, EUA
Object Fictions. James Cohan Gallery, Nova York, EUA
Dark Matters. Hirshhorn Museum, Washington DC, EUA
The Way We Live Now. Brooke Alexander Gallery, Nova York, EUA
Last Exit: Pictures. BFAS Blondeau Fine Art Services, Genebra, Suíça
Tony Oursler, Sol LeWitt, Allan McCollum, Fred Wilson, Keith Sonnier. JGM Galerie, Paris, França
25 Years of Talent. Marianne Boesky Gallery, Nova York, EUA
THANKS: 50th Anniversary Exhibition. Carl Solway Gallery, Cincinnati, EUA
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970. Martin-Gropius-Bau, Berlim, Alemanha
Volume!. Museu d'Art Contemporani de Barcelona, Barcelona, Espanha
Hirschfaktor - Die Kunst des Zitierens. ZKM | Museum für Neue Kunst & Medienmuseum, Karlsruhe, Alemanha
Parque Industrial. Galeria Luisa Strina, São Paulo, Brasil
2011
Hyper Real - Kunst und Amerika um 1970. Ludwig Forum für Internationale Kunst, Aachen, Alemanha
The Wilderness. Miami Art Museum, Miami, EUA
CLAP. Hessel Museum of Art, Bard College, Annandale-on-Hudson, EUA
PICTURE NO PICTURE. Carriage Trade, Nova York, EUA.
Silence and Time. Dallas Museum of Art, Dallas, Texas
Estratégias para Luzes Acidentais. Luciana Brito Galeria, São Paulo, Brasil
All of the Above: carte blanche à John M Armelder. Palais de Tokyo, Paris, França
Gehen Blühen Fließen — Naturverhältnisse in der Kunst. TStadtgalerie Kiel, Alemanha
Situation New York 1986. Art and Public – Cabinet P. H. Genebra, Suíça
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970. J. Paul Getty Museum, Getty Center, Los Angeles, EUA
Volume! Museu d’Art Contemporani de Barcelona, Barcelona, Espanha
Hirschfaktor - Die Kunst des Zitierens. ZKM | Museum für Neue Kunst & Medienmuseum, Karlsruhe, Alemanha
2010
Vertically Integrated Manufacturing. Murray Guy Gallery, Nova York, EUA
Collecting Biennials. Whitney Museum of American Art, Nova York, EUA
The Shape of Abstraction. The Boston University Art Gallery, Boston, EUA
Le sourire du chat. Le Frac des Pays de la Loire, Nantes, França
CLIMAX REDVX. BAC / Bâtiment d’art contemporain, Genebra, Suíça
Haunted: Contemporary Photography/Video/Performance. Solomon R. Guggenheim Museum, Nova York, EUA
Néo Géo & Cie: L’image de l’abstraction à la fin du XXe siècle. Le Fonds Régional d’Art Contemporain du Limousin, Limoges, França
Human Rites. Bass Museum of Art, Miami, EUA
Just a Matter of Time. Galerie Iris Kadel, Karlsruhe, Alemanha
Gesture, Scrape, Combine, Calculate. Mildred Lane Kemper Art Museum, St. Louis, EUA
The Space Between Reference and Regret. Friedrich Petzel Gallery, Nova York, EUA
Americanana. Bertha & Karl Leubsdorf Art Gallery, Hunter College, Nova York, EUA
The Jewel Thief. The Tang Museum, Skidmore College, Saratoga Springs, Nova York, EUA
Le principe monochrome. Fondation Baur, Genebra, Suíça
2009
From The Archives: 40 Years / 40 Projects. White Columns, Nova York, EUA
A Twilight Art. Harris Lieberman Gallery, Nova York, EUA
Notation: Calculus and Shape in the Arts. KZM | Zentrum für Künst und Medientechnologie, Karlsruhe, Alemanha
Highlights from the Collection of Fundación La Caixa. Kunsthalle Emden, Emden, Alemanha
The Pictures Generation, 1974-1984. Metropolitan Museum of Art, Nova York, EUA
Specials Cabinet, Brooklyn, Nova York, EUA
The Secret Life of Objects. Midway Contemporary Art, Minneapolis, EUA
LA SUITE. Air de Paris, Paris, França
Portrait of the artist as a biker. MAGASIN – Centre National d’Art Contemporain, Grenoble, França
2008
Estratos. PAC (Contemporary Art Project) Murcia, Espanha
Here’s The Thing; The Single Object Still Life. Katonah Museum of Art, Katonah, EUA
P2P. Casino Luxembourg - Forum d’art contemporain, Luxemburgo
Can of Worms. Christine Burgin Gallery, Nova York, EUA
Flying Start – 1978-1982. Museum Morsbroich, Leverkusen, Alemanha
Photography on Photography: Reflections on the Medium since 1960. Metropolitan Museum of Art, Nova York, EUA
Peripheral Vision and Collective Body. Museo d’arte moderna e contemporanea, Bolzano, Itália
Standard Sizes. Andrew Kreps Gallery, Nova York, EUA
Alice, son miroir et ses merveilles. Le Musée des beaux-arts et de la Dentelle, Calais, França
Snap Shot. Quint Contemporary Art, São Diego, EUA
Biennale de Sculpture. Musée-école de la Perrine, Ville de Laval, França
Notation: Calculus and Shape in the Arts. Akademie der Künste, Berlim, Alemanha
28th Bienal de São Paulo: In Living Contact. São Paulo, Brasil
Body Memory. Princeton University Museum of Art, Princeton, EUA
Art and context III: beyond the white cube. Espacio 1414, Santurce, Puerto Rico
2007
Beneath the Underdog. Gagosian Gallery, Nova York, EUA
What Is Painting? The Museum of Modern Art, Nova York, EUA
Andrea Zittel/Smockshop. Susan Inglett Gallery, Nova York, EUA
Ironie der Objekte. MUSEION - Museo d’arte moderna e contemporanea, Bozen / Bolzano, Itália
Klio - Eine kurze Geschichte der Kunst in Euramerika nach 1945. ZKM | Museum für Neue Kunst & Medienmuseum, Karlsruhe, Alemanha
Repeat Performances: Seriality and Systems Art since 1960. Allen Memorial Art Museum, Oberlin, EUA
Art as Idea. Hessel Museum of Art, Bard College, Annandale-on-Hudson, EUA
Multiplex: Directions in Art, 1970 to Now. The Museum of Modern Art, Nova York, EUA
Des Fantômes et des Anges. Musée des Arts Contemporains - Site du Grand-Hornu, Belgium
Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection. Center of Curatorial Studies, Bard College. Annandale-on-Hudson, Nova York, EUA
2006
Los Angeles 1955 – 1985. Centre Pompidou, Paris, França
3D: An Exhibition of Contemporary Sculpture. Carl Solway Gallery, Cincinatti, EUA
An On-Going Low-Grade Mystery. Paula Cooper Gallery, Nova York, EUA
Discussions dans le Boudoir. Musée Magnin, Dijon, França
A Piece of History. Charles Cowles Gallery, Nova York, EUA
Minimal to the Max: The Brownstone Collection. Tampa Museum of Art, EUA
Le noir est une couleur. Fondation Maeght, Saint-Paul-de-Vence, França
Konkretismus : Material/sprache und abstraktion seit 1955. Baden-Württembergisch Bank Vorstand, Stuttgart, Alemanha
Into A Journey: Harald Klingelhöller, Allan McCollum, Helen Mirra, Jonathan Monk, Lawrence Weiner, Christopher Williams. Meyer Riegger Galerie, Karlsruhe, Alemanha
Faster! Bigger! Better! ZKM Museum for Contemporary Art, Karlsruhe, Alemanha
Espacio, Tiempo, Espectador. IVAM Institut Valencià d’Art Modern, Valencia, Espanha; Museu Serralves - Museu de Arte Contemporânea, Porto, Portugal
Forms of Classification: Alternative Knowledge and Contemporary Art. Cisneros Fontanals Art Foundation, Miami, EUA
2005
Thirty Ways to Make a Painting. The Carl Solway Gallery, Cincinatti, EUA
Public Passion. Ludwig forum for international art, Aachen, Alemanha
Estranged Objects. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, EUA
For Presentation and Display: Some Art of the ‘80s. Princeton University Art Museum, Princeton, EUA
Wilder: A Tribute to The Nicholas Wilder Gallery, Los Angeles, 1965-1979. Franklin Parrasch Gallery and Joan T. Washburn Gallery, Nova York, EUA
Une image sur un mur: Images et décoration intérieure au XIXe siècle. Musée Goupil, Bordeaux, França
Telling a Work of Art. Barbara Gross Galerie, Munich, Alemanha
An audiotour by Karin Sander. Galerie Mueller-Roth, Stuttgart, Alemanha
Pairs, Groups, and Grids. Leslie Tonkonow Gallery + Projects, Nova York, EUA
Summer Exhibition: John Baldessari, Allan McCollum, Matt Mullican, Robert Rauschenberg. Brooke Alexander Gallery, Nova York, EUA
Good Timing. Georg Kargl Fine Arts, Vienna, Austria
Part Object/Part Sculpture. Wexner Center for the Arts, Columbus, EUA
Flashback: Revisiting the Art of the Eighties. Museum für Gegenwartskunst, Basel, Suíça
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper. Andrea Rosen Gallery, Nova York, EUA
Big Bang: Destruction and creation in 20th century art. Le Centre National D’Art et de Culture Georges Pompidou, Paris, França
2004
Singular Forms (Sometimes Repeated): Art from 1951 to the Present. Solomon R. Guggenheim Museum, Nova York, EUA
The Big Nothing. Institute of Contemporary Art, Philadelphia, EUA
Modern Means: Continuity and Change in Art, 1880 to the Present. Mori Art Museum, Tokyo, Japan
About Painting. The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, Nova York, EUA
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001. Wexner Center for the Arts, Columbus, EUA
La Lettre Volee: The Purloined Letter. FRAC Franche-Comté / Museum of Dole, França
Schöner Wohnen. BE-PART, Waregem, Belgium
O Estado das cousas: O obxecto na arte contemporánea 1960-2000. Museo de Arte Contemporanea de Vigo, Espanha
Needful Things. The Cleveland Museum of Art, Cleveland, EUA
Telling a Work of Art. Andrew Jensen Gallery, Auckland Gallery, Dunedin, New Zealand
2003
Strangely Familiar: Approaches to Scale in the Collection of The Museum of Modern Art. New York State Museum, Albany, Nova York, EUA
Structures of Difference. Wadsworth Atheneum Museum of Art, Hartford, EUA
Retrospectacle: 25 Years of Collecting Modern and Contemmporary Art. Denver Art Museum, Denver, EUA
Living with Duchamp. Tang Museum, Skidmore College, Saratoga Springs, Nova York, EUA
Coollustre. Collection Lambert, Avignon, França
The LAPD Project: The Legacy of Pattern and Decoration. Rosamund Felsen Gallery, Santa Monica, EUA
Minimal to the Max: The Brownstone Collection. Norton Museum of Art, West Palm Beach, Florida, EUA
Crimes and Misdemeanors: Politics in U.S. Art of the 1980s. Contemporary Arts Center, EUA
2002
Space Matters. Center for Curatorial Studies, Bard College, Nova York, EUA
Conversation? Recent acquisitions of the Van Abbemuseum. Athens School of Fine Arts (The Factory), Greece
The Object Sculpture. Henry Moore Institute, Leeds, UK
Re-Cast: Postmodern Classicism. Onassis Foundation, Olympic Tower, Nova York, EUA
Malevich, Cinema, and Beyond. Centro Cultural de Belém, Lisbon, Portugal
Iconoclash: Beyond the Image Wars in Science, Religion and Art. ZKM | Center for Art and Media, Karlsruhe, Alemanha
Embracing the Present. Portland Art Museum, Portland, EUA
Multiples: An Incomplete Survey. Brent Sikkema Gallery, Nova York, EUA
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001. The Whitney Museum of American Art, Nova York, EUA
Minimal Art and Its Legacy. The Hirshhorn Museum and Sculpture Garden, Washington D.C, EUA
Malevich, Cinema, and Beyond. Fundació “La Caixa,” Madrid, Espanha
2001
Mythic Proportions: Painting in the Eighties. Museum of Contemporary Art, North Miami, EUA
Richard Artschwager, Louise Bourgeois, Roni Horn, Allan McCollum. Xavier Hufkens, Brussels, Belgium
Picturing America. The Newark Museum, Newark, EUA
The Presence of Absence. The Ezra and Cecile Zilkha Gallery at Wesleyan University Center for the Arts, Middletown, EUA
Fuzzy Logic. Laguna Art Museum, Laguna Beach, EUA
A Work in Progress: Selections from the New Museum Collection. The New Museum, Nova York, EUA
Conceptual Diversity: Selections from the Ringling Museum of Art Post-War Permanent Collection. The John and Mabel Ringling Museum of Art, Sarasota, EUA
Algo con que tropezar. Museo Rufino Tamayo, México, D. F., México
Televisions. Kunstalle Wien, Vienna, Austria
Monet’s Legacy: Series - Order and Obsession. Hamburg Kunsthalle, Hamburg, Alemanha
Letters, Signs & Symbols. Brooke Alexander Gallery, Nova York, EUA
Paso Doble 2: Claude Rutault avec Allan McCollum et Stephen Prina. Muslée d’art moderne et contemporain, Genebra, Suíça
2000
Art for Art’s Sake. Bard College, Nova York, EUA
Anatomically Incorrect. Museum of Modern Art, Nova York, EUA
The Small World Drawings. Barbara Krakow Gallery, Boston, EUA
Actual Size. Museum of Modern Art, Nova York, EUA
Sets and Situations. Museum of Modern Art, Nova York, EUA
Project #0004. Friedrich Petzel Gallery, Nova York, EUA
The Century of Innocence: the History of the White Monochrome. Rooseum Center for Contemporary Art, Malmö, Suécia
Nobodies Home. Kunstbunker-Forum für Zeitgenössische Kunst, Nürnberg, Alemanha
Frames of Reference: From Object to Subject. Center for the Arts, Trumbull, EUA
Picturing Media: Photographs from the Permanent Collection. The Metropolitan Museum of Art, Nova York. EUA
Pollock to Today: Highlights from the Permanent Collection. Whitney Museum of American Art, Nova York, EUA
1999
The Museum as Muse: Artists Reflect. The Museum of Modern Art, Nova York, EUA
The Museum as Muse: Artists Reflect. The Museum of Contemporary Art, São Diego, EUA
The American Century: Art and Culture: 1950-2000. Whitney Museum of American Art, Nova York, EUA
Nobodies Home. Momenta Art, Brooklyn, Nova York, EUA
Positioning. Center for Curatorial Studies, Bard College, Annandele on Hudson, EUA
Touring the Frame. Rosamund Felsen Gallery, Los Angeles, EUA
1998
L’Hypothèse du tableau vole. Muslée d’art moderne et contemporain, Genebra, Suíça
Artificial. Museu d’Art Comtemporani, Barcelona, Espanha
Fast Forward. Kunstverein in Hamburg, Alemanha
Wanås 98. Wanås Foundation, Knislinge, Suécia
Material Perfection: Minimal Art & Its Aftermath. Festival of Perth, Lawrence Wilson Art Gallery, University of Western Australia
Fotogramas: arte e cinema na coleção Marie Luise Hessel. Museu de Arte Moderna, São Paulo, Brasil
Dijon/Le Consortium.coll: tout contre l’art contemporain. Centre Georges Pompidou, Paris, França
Deep Thought. Basilico Fine Arts, Nova York, EUA
Stills. Center for Curatorial Studies, Bard College, Annandale on Hudson, EUA
Stare. Marianne Boesky Gallery, Nova York, EUA
Chemical Traces. Ferens Art Gallery, Kingston upon Hull, EUA
The Mass Ornament: the mass phenomenon at the turn of the millennium. Kunsthallen Brandts Klædefabrik, Odense, Denmark
1997
Objects of Desire: The Modern Still Life. Hayward Gallery, London, UK
Produkt: Kunst! wo bleibt das Original? Neues Museum Weserberg, Bremen, Alemanha; Kunstammlung Gera Orangerie, Alemanha
United Enemies: Mannerism and Synthesis in Contemporary Art. Jiri Svetska Gallery, Prague, Czech Republic
Allan McCollum/Laurie Simmons, and Karl Blossfeld. SL Simpson Gallery, Toronto, Canadá
A House is Not a Home: Everyday Objects in Contemporary Sculpture. Rooseum Center for Contemporary Art, Malmö, Suécia
Dramatically Different. Le Magazin Centre National d’Art Contemporain, Grenoble, França
Fotogramas: arte e cinema na colecão Marieluise Hessel. Centro Cultural Light, Rio de Janeiro, Brasil
1996
L’Informe: Mode d’Emploi. Centre national d’art et de culture Georges Pompidou, Paris, França
Screen. Friedrich Petzel Gallery, Nova York
Twentieth Century American Sculpture at the White House: Exhibition IV. The Jaqueline Kennedy Garden, The White House, Washington D.C., EUA
Bringing It All Back Home. Gracie Mansion/Fred Dorfman Projects, Nova York, EUA
Small Truths: Repetition and the Obsessional in Contemporary Art. John Hansard Gallery, The University, Southampton, UK
Objects of Desire: The Modern Still Life. Museum of Modern art, Nova York, EUA
1995
Critiques of Pure Abstraction. Independent Curators Incorperated, Nova York, EUA
Pittura/Immedia: malerei in den 90er Jahren. Neue Galerie am Landesmuseum Joanneum und Kunstlerhaus, Graz, Austria
The Reflected Image: A Selection of Contemporary Photography from the LAC Collection, Suíça. Luigi Pecci Museum for Contemporary Art, Prato, Itália
Summer Academy II. PaceWildenstein, Nova York, EUA
Articircolo Melnick 95. Melcick Castle, Melnick, Czechoslovakia
Temporarily Posessed: The Semi-Permanent Collection. The New Museum of Contemporary Art, Nova York, EUA
Corpus Delicti. Museum van Hedendaagse Kunst (S.M.A.K.), Gent, Belgium
Fact, Fiction and Truth: Contemporary Portraits. Lehman College Art Gallery, Lehman College, Bronx, EUA
1994
Desire and Loss. Carl Solway Gallery, Cincinatti, EUA
Tuning Up. Kunstmuseum Wolfsburg, Alemanha
Media Visions in Contemporary Art: Selections from the Weatherspoon Collection. Weatherspoon Art Gallery, Greensboro, EUA
AURA: The Reality of the Artwork between Autonomy, Reproduction and Context. Wiener Secession, Vienna, Austria
The Label Show: Contemporary Art and the Museum. Museum of Fine Arts, Boston, EUA
1993
Internationale Fotografie aus der Sammlung Museum. Moderner Kunst, Vienna, Austria
Kunstruktionzitat. Sprengel Museum, Hannover, Alemanha
Am Beispiel Plastik. Konzeption und Form. Sprengel Museum, Hannover, Alemanha
Pirouettes. Lillehammer Art Museum, Norway
Profil d’Une Galerie. Lieu d’ Art Contemporain, Hameau du Lac, Siegan, França
John Armleder / Taro Chiezo / Mark Dion / Sylvie Fleury / Allan McCollum / Hai Steinbach. Anina Nosei Gallery, Nova York, EUA
Sculpture and Multiples. Brooke Alexander Gallery, Nova York, EUA
inad’ vertently. AsherFaure Gallery, Los Angeles, EUA
1992
Allegories of Modernism: Contemporary Drawings. Museum of Modern Art, Nova York, EUA
Repetition/Transformation. Museo Nacional de Arte Reina Sofia, Madrid, Espanha
C’est Pas la fin de Monde. Galerie d’Art et d’Essai, Bibliotheque Interuniversitaire, Universite de Rennes, França
Overlay. Louver Gallery, Nova York, EUA
Fifteenth Aniversary Exhibition. Rhona Hoffman Gallery, Nova York, EUA
Theoretically Yours. Chiesa di S. Lorenzo, Aosta, Itália
Drawings. Brooke Alexander Gallery, Nova York, EUA
Selected Works from the Early Eighties. K-Raum Daxer, Munich, Alemanha
Functional Objects by Artists and Architects. Rhona Hoffman Gallery, Chicago, EUA
S.L. Simpson Gallery, Toronto, Canadá
Galleri Faurschou, Copenhagen, Denmark
Points of Vue et Images du Monde. Galerie Pierre Nouvion, Monte Carlo
Stills. Andrea Rosen Gallery, Nova York, EUA
1991
Beyond the Frame: The Transition From Modernism to Postmodernism in American Art 1960-1990. Setagaya Art Museum, Tokyo, Japan; The National Museum of Art, Osaka, Japan; Fukuoka Art Museum, Fukuoka City, Japan
Objects for the Ideal Home; The Legacy of Pop Art. Serpentine Gallery, London, UK
Zomeropstelling eigen collectie: nieuwe aanwinsten. Stedelijk Van Abbemuseum, Eindohoven, Netherlands
Vom Verschwinden Der Dinge Aus Der Fotografie. Palais Liechtenstein, Vienna, Austria
Vanitas. Galerie Crousel-Robelin-Bama, Paris, França
Masterworks of Contemporary Sculpture, Painting and Drawing: The 1930’s to the 1990’s. Bellas Artes, Santa Fe, EUA
Oeuvres Originales. Fonds Régional d’art Contemporain des Pays de La Loire, Carquefou, França
La Garenne Lemot Gétigné, Clisson, França
Just what is it that makes today’s homes so different, so appealing? The Hyde Collection, Glen Falls, Nova York, EUA
de-Persona. The Oakland Museum, Oakland, EUA
Appropriation and Re-Photography. Fonds Régional d’art Contemporain des Pays de La Loire, La Garenne Gétigné, Clisson, França
Large Sculpture. John Weber Gallery, Nova York, EUA
La Revanche de L’Image. Galerie Pierre Huber, Genebra, Suíça
Media Culture. Studio Oggetto, Milan, Itália
Inscapes. Stichting De Appel, Amsterdam, Netherlands
Galerie Samuel Lallouz, Montreal, Canadá
Distribution: Random and Deliberate. Davis/McClain Gallery, Houston, EUA
Works on Paper. Gallery 1709, St. Louis, EUA
Three Rooms. Galerie Franck + Schulte, Berlim, Alemanha
Galeria Weber, Alexander y Cobo, Madrid, Espanha
Drawings. ARCO, Madrid, Espanha
1991 Carnegie International. The Carnegie Musum of Art, Pittsburgh, EUA
Departures: Photography 1923 – 1990. Irist and B. Geral Cantor Art Gallery, College of the Holy Cross, Worcester, EUA; Denver Art Museum, EUA; Joslyn Art Museum, EUA; Pittsburgh Center for the Arts, EUA; Goldie Paley Gallery, Moor College of Art and Design, Philadelphia, EUA; Telfair Academy of Arts and Sciences, Savannah, EUA
1989
1989 Whitney Biennial Exhibition. The Whitney Museum of American Art, Nova York, EUA
Contemporary American Sculpture: Signs of Life. Fundação Calouste Gulbenkian, Lisbon, Portugal
A Forest of Signs: Art in the Crisis of Representation. The Museum of Contemporary Art, Los Angeles, EUA
Bilderstreit: Wiederspruch, Einheit und Fragment in der Kunst seit 1960. Museum Ludwig, Rheinhallen der Kölner Messe, Cologne, Alemanha
The Photography of Invention: American Pictures of the 1980s. The National Museum of American Art, Washington D.C., EUA
Culture Medium. International Center of Photography, Nova York, EUA
The Desire of the Museum. Whitney Museum of American Art at Federal Reserve Plaza, Nova York, EUA
Conspicuous Display. Stedman Art Gallery, Rutgers University, Camden, EUA
Art at the End of The Social. Rooseum, Malmö, Suécia
Anti-Simulation: A Debate on Abstraction. Bertha and Karl Leubsdorf Art Gallery, Hunter College, Nova York, EUA
Departures: Photography 1924 – 1989. Hirschl and Adler Modern, Nova York, EUA
Galerie Isabella Kacprzak, Cologne, Alemanha
Art Collected: Private, Corporate and Museum Contexts. University Art Museum, Binghampton, Nova York, EUA
Hybrid Neutral: Modes of Abstraction and the Social. Richard F. Brush Art Gallery, St. Lawrence Museum, Nova York, EUA
Melancolia. Galerie Grita Insam, Vienna, Austria
Das Licht Von Der Anderen Seite. Galerie F. C. Gundlach, Hamburg, Alemanha
Small-Scale Work. Scott Hanson Gallery, Nova York, EUA
80’s International. Langer and Co., Nova York, EUA
Mondi Possibili. Le Casa d’Arte, Milan, Itália
Galerie Pierre Huber, Genebra, Suíça
Galerie Isabella Kacprzak, Köln, Alemanha
Recent Acquisitions. Carl Solway Gallery, Cincinnati, EUA
Buena Vista. John Gibson Gallery, Nova York, EUA
Image World: Art and Media Culture. Art and Media Culture. The Whitney Museum of American Art, Nova York, EUA
The Play of the Unsayable. Wiener Secession, Vienna, Suíça
Laurie Simmons et Allan McCollum. Urbi et Orbi Gallery, Paris, França
Group Show. Richard Kuhlenschmidt, Los Angeles, EUA
1988
Allan McCollum / Richard Prince. Kunsthalle Zurich, Suíça
The Color Alone: The Monochrome Experiment. Musée St. Pierre d'Art Contemporain, Lyon, França
43ª Biennale di Venezia, Veneza, Itália
New York in View. Kunstverein München, Munich, Alemanha
Allan McCollum / Tim Ebner / Gaylen Gerber. Ricky Renier Gallery, Chicago, EUA
Une autre affaire. Le Consortium, Centre d’Art Contemporain, Dijon, França
Cultural Geometry. Deka Foundation House of Cyprus, Athens, Greece
NY Art Now. The Saatchi Collection, London, UK
Alive / Survive: Amerikanische Kunst in K3. Kampnagelgelende, Hamburg, Alemanha
John Weber Gallery, Nova York, EUA
Active Surplus. 49th Parallel, Nova York, EUA
Richard Artschwager: His Peers and Persuasion 1963 – 1988. Leo Castelli Gallery, Nova York, EUA
Sculpture Parallels. Sidney Janis Gallery, Nova York, EUA
A ‘Drawing’ Show. Cable Gallery, Nova York, EUA
Art at the End of the Social. Rooseum, Malmö, Suécia
Two to Tango: Recent American Photography. International Center for Photography, Nova York, EUA
Information as Ornament. Feature and Rezac Gallery, Chicago, EUA
Painting & Photography. Milford Gallery, Nova York, EUA
Matris. Malmö Konsthall, Suécia
1987
Active Surplus: The Economy of the Object. The Power Plant, Toronto, Canadá
The Castle. Documenta 8, Kassel, Alemanha
Implosion: et postmodernt perspektiv. Moderna Museet, Estocolmo, Suécia
Photography and Art: Interactions Since 1946. Los Angeles County Museum of Art, Los Angeles, EUA
Le Jour et la Nuit. L’Orangerie du Chateau du Meudon, França
L’Objet de la Peinture. Ecole superieure d’art visual, Genebra, Suíça
Cadres en l’aire. Galerie d’Art et d’Essai, Bibliotheque Interuniversitaire, Universite de Rennes, França
Contemporary Photographic Portraitire. Musee St Pierre, Art Contemporain Lyon, França
Avente-Garde in the Eighties. Los Angeles County Museum of Art, Los Angeles, EUA
New York Now. Israel Museum, Jerusalem
Armleder, Mosset, Rockenschaub and McCollum. Galerie Sylvana Lorenz, Paris, França
The Art of the Real. Galerie Pierre Huber, Genebra, Suíça
Recent Tendencies in Black and White. Sidney Janis Gallery, Nova York, EUA
Photographic Work from 1974-1987. Douglas Drake Gallery, Nova York, EUA
The Ironic Sublime. Galerie Albercht, Munich, Alemanha
The Spiral of Artificiality. Hallwalls, Buffalo, EUA
Selections from the John Weber Gallery. Fay Gold Gallery, Atlanta, EUA
Bronze, Plaster and Polyester. Goldie Paley Gallery, Moore College of Art, Philadelphia, EUA
The Hallucination of Truth. P.S.1, Long Island City, EUA
Alan Belcher, Nancy Dwyer, and Allan McCollum. Le Casa d’Arte, Milan, Itália
Sculptures. Galerie Charles Cartwright, Paris, EUA
Currents 12: Simulations New American Conceptualism. Milwaukee Art Museum, EUA
1986
Damaged Goods: Desire and the Economy of the Object. The New Museum of Contemporary Art, Nova York, EUA
Dissent: The Issue of Modern Art in Boston, Part III, ‘As Found’. Institute of Contemporary Art, Boston
In the Tradition of: Photography 1915-1986. Light Gallery, Nova York, EUA
MASS. The New Museum of Contemporary Art, Nova York, EUA
P. Gallery 303, Nova York, EUA
Signs of Painting. Metro Pictures, Nova York, EUA
Time After Time. Diane Brown Gallery, Nova York, EUA
Rooted Rhetoric. Castel Dell ‘Ovo, Naples, Itália
The Real Big Picture. Queens Museum, Queens, Nova York, EUA
The Red Show. Massimo Audiello Gallery, Nova York, EUA
Acceptable Entertrainment. Bruno Faccetti Gallery, Nova York, EUA
Spiritual America. CEPA, Buffalo, Nova York, EUA
Television’s Impact on Contemporary Art. Queens Museum, Nova York, EUA
Ultrasurd. S.L. Simpson Gallery, Toronto, Canadá
Il Cagiante. Padiglione d’Arte Contemporanea, Milan, Itália
1985
The Anticipated Ruin. The Kitchen, Nova York, EUA
Final Love. Cash Newhouse, Nova York, EUA
Persona Non Grata. Daniel Newburg Gallery, Nova York, EUA
Americana. Whitney Museum of American Art, Nova York, EUA
The Public Art Show. Nexus Contemporary Art Center, Atlanta, EUA
A Life of Signs. Michael Klein, Inc., Nova York, EUA
1984
Ailleurs et Autrement. Musée d’Art Moderne de la Ville de Paris, Paris, França
Allan McCollum and James Welling. Cash Newhouse Gallery, Nova York, EUA
Allan McCollum, Richard Wentworth. Lisson Gallery, London, UK
Artists’ Call. Marian Goodman Gallery, Nova York, EUA
Contemporary Perspectives. Center Gallery, Bucknell University, Lewisburg, EUA
A Different Climate: Aspects of Beauty in Contemporary Art. Stadische Kunsthalle, Dusseldorf, Alemanha
Natural Genre. Florida State University Fine Arts Gallery, Tallahassee, EUA
POP. Spiritual America, Nova York, EUA
Re-place-ment. Hallwalls, Buffalo, Nova York, EUA
1983
New York Now. Kester-Gesellschaft, Hanover, Alemanha
The California Collection: Sixteen Paintings from the Gifford and Joann Phillips Collection. Museum of Fine Arts, Museum of New Mexico, EUA
1982
Louise Lawler, Allan McCollum, Sherrie Levine, Dan Freeman. The Eyelevel Gallery, Halifax, EUA
Dark Thoughts: Black Paintings. Pratt Institute Gallery, Nova York, EUA
Punctuated/Unpunctuated. The Grommet Gallery, Nova York, EUA
Cheap and Easy. Inroads Gallery, Nova York, EUA
U.S. Art Now. Nordiska Kompaniet, NK-Teatren, Estocolmo, Suécia; Konsthallen, Gstaplatsen, Gsteborg, Suécia
1981
Preview – New Works. Marian Goodman Gallery, Nova York, EUA
Thirty-Five Artists Return to Artists Space: A Benefit Exhibition. Artists Space, Nova York, EUA
Artists and Furniture. Magnuson Lee Gallery, Boston, EUA
Hal Bromm Gallery, Nova York, EUA
1980
Further Furniture. Marian Goodman Gallery, Nova York, EUA
Drawings. Leo Castelli Gallery, Nova York, EUA
1979
New Work / September 1979. Hal Bromm Gallery, Nova York, EUA
1978
Drawing and Painting on Paper. Charlotte Crosby Kemper Gallery, Kansas City Art Institute, EUA
1977
Unstretched Surfaces: Los Angeles-Paris. Los Angeles Institute of Contemporary Art, EUA
1975
Biennial Exhibition. Whitney Museum of American Art, Nova York, EUA
Eight Artists from Los Angeles. Emanuel Walter Gallery, São Francisco Art Institute, EUA
Drawings and Works on Paper. Dootson Calderhead Gallery, Seattle, EUA
1974
Contemporary American Painting and Sculpture. Krannert Art Museum, Champaign, EUA
15 Abstract Artists, Los Angeles. Santa Barbara Museum of Art, EUA
Painting in America: Yesterday and Tomorrow. The Decorative Arts Center, Nova York, EUA
1973
Twelve Statements Beyond the Sixties. The Detroit Institute of Arts, Detroit, EUA
1972
Color-Field Painting to Post-Color-Field Abstraction: Art for the Seventies. Nelson Art Gallery, Kansas City, EUA
Fifteen Los Angeles Artists. Pasadena Art Museum, EUA
Los Angeles ’72. Sidney Janis Gallery, Nova York, EUA
Arnoldi / Cooper / McCollum / Wudl. Art Gallery, California State University, Fullerton, EUA
Art of the Seventies. Seattle Art Museum, Seattle, EUA
1971
24 Young Los Angeles Artists. Los Angeles County Museum of Art, Los Angeles, EUA
New Painting in Los Angeles. Newport Harbor Art Museum, Balboa, EUA
Off the Stretcher. Oakland Museum, Oakland, EUA
After-Quake. The Friends of Contemporary Art, Denver, EUA
1970
Venice, California/70. California State Art Gallery, California State College, Los Angeles, EUA
Eighth Annual Southern California Exhibition. Long Beach Museum of Art, Long Beach, California, EUA
1969
Los Angeles Annual Art Exhibition. The Municipal Art Gallery, Los Angeles, EUA
Mt. San Antonio College Second Biennial Exhibition of Painting and Drawing. Mt. San Antonio College Art Galleries, Walnut, EUA
Coleções Públicas
The National Gallery of Art, Washington D.C., EUA
Hirshhorn Museum, Washington D.C., EUA
Museum of Modern Art, Nova York, EUA
Whitney Museum of American Art, Nova York, EUA
Solomon R. Guggenheim Museum, Nova York, EUA
Metropolitan Museum of Art, Nova York, EUA
The New Museum of Contemporary Art, Nova York, EUA
The Museum of Fine Arts, Boston, EUA
The Wadsworth Atheneum, Hartford, EUA
Museum of Modern Art, São Francisco, EUA
Los Angeles County Museum of Art, EUA
Museum of Contemporary Art, Los Angeles, EUA
The Museum of Contemporary Art, São Diego, EUA
Denver Art Museum, EUA
Art Institute of Chicago, EUA
Detroit Institute of the Arts, EUA
High Museum of Art, Atlanta, EUA
Museum of Fine Arts, Houston, EUA
Seattle Art Museum, EUA
Newark Museum, Newark, EUA
Grey Art Gallery, New York University, EUA
Tang Museum, Saratoga Springs, EUA
Rhode Island School of Design Museum of Art, EUA
Hood Museum of Art, Dartmouth College, Hanover, EUA
Allen Memorial Art Museum, Oberlin, EUA
Museum of Contemporary Art, North Miami, EUA
University of South Florida Contemporary Art Museum, Tampa, EUA
Hillsborough County Museum of Science and Industry, Tampa, EUA
John & Mable Ringling Museum of Art, Sarasota, EUA
Norton Museum of Art, West Palm Beach, EUA
Long Beach Museum of Art, EUA
Santa Barbara Museum of Art, Santa Barbara, EUA
Springfield Museum of Fine Art, EUA
Daum Museum of Contemporary Art, Sedalia, EUA
The Mildred Lane Kemper Art Museum, Washington University, St. Louis, EUA
Laguna Art Museum, Laguna Beach, EUA
The Nelson-Atkins Museum of Art, Kansas City, EUA
Des Moines Art Center, Des Moines, EUA
Santa Fe Museum of Art, EUA
Cincinnati Art Museum, Cincinnati, EUA
Cleveland Museum of Art, Cleveland, EUA
Weatherspoon Art Gallery, Greensboro, EUA
New Orleans Museum of Art, New Orleans, EUA
Washington University, St. Louis, EUA
Daum Museum of Contemporary Art, Sedalia, EUA
Imperial County Pioneers Museum, Imperial, EUA
Nora Eccles Harrison Museum of Art, Utah State University, Logan, EUA
National Gallery of Canada, Ontario, Canadá
Vancouver Art Gallery, Vancouver, Canadá
Van Abbe Museum, Eindhoven, Holanda
Museum Boijmans Van Beuningen, Holanda
Louisiana Museum of Modern Art, Humlebaek, Dinamarca
Rooseum, Malmö, Suécia
Wanås Foundation, Knislinge, Suécia
City of Malmö, Suécia
City of Montpellier, França
Musée National d'Art Moderne, Paris, França
Centre Georges Pompidou, Paris, França
Musée d'Art Moderne-Villeneuve d'Ascq, França
Musée de Grenoble, França
Fondation Cartier pour l'art contemporain, França
Le Consortium, Dijon, França
Kadist Art Foundation, Paris, França
Fonds Régional d'Art Contemporain, Bourgogne, França
Fonds Régional d'Art Contemporain, Dunkerque, França
Musée de la Roche-sur-Yon, França
Fonds Régional d'Art Contemporain - Pays de la Loire, Carquefou, França
Musée d'Art Moderne et Contemporain (MAMCS), Strasbourg, França
Castello di Rivoli: Museo d'Arte Contemporanea, Itália
Museum of Modern Art, Vienna, Áustria
Sprengel-Museum, Hannover, Alemanha
Museum van Hedendaagse Kunst Muhka, Antwerp, Bélgica
KunstMuseum Wolfsburg, Wolfsburg, Alemanha
Museum Ludwig, Rheinhallen der Kölner Messe, Cologne, Alemanha
Centre d'art Contemporain, Geneva, Suíça
Musée d'art Contemporain et Moderne, Geneva, Suíça
Fotomuseum, Winterthur (Zurich), Suíça
Instituto Valenciano de Arte Moderno, Valencia, Espanha
Fundació "la Caixa," Centre Cultural, Barcelona, Espanha
Fundación Arco, Santiago, Espanha
Ellipse Foundation, Alcoitão, Lisboa, Portugal
Berardo Museum - Collection of Modern and Contemporary Art, Lisbon, Portugal
Israel Museum, Jerusalem, Israel
New Tokyo Metropolitan Museum, Japão
National Museum of Contemporary Art, Seoul, Coréia do Sul