Allan McCollum
- 1944
- Los Angeles, USA
- Lives and works in New York, USA
Exhibitions
SELECTED SOLO EXHIBITIONS
2024
The World: A Moment in Time. Galerie Thomas Schulte, Berlin, Germany
Minime Variazioni: Drawings and Plaster Surrogates. Galleria Fumagalli, Milano, Italy
2023
Allan McCollum: The Shapes Project. Krakow Witkin Gallery, Boston, USA
2022
Allan McCollum: Works 1970-1973. Galerie Thomas Schulte, Berlin, Germany
Traces: Past and Present. Friedrich Petzel Gallery, Nova York, EUA
2021
Traces. Marc Selwyn Gallery, Los Angeles, USA
2020
Allan McCollum: Works Since 1969. ICA, Miami, USA
2017
Collection of Nine Hundred and Eighty Shapes. University of California, San Francisco, USA
Collection of Nine Hundred and Fifty-Five Shapes. Queens Library, New York, USA
Works: 1968 – 1977. Friedrich Petzel Gallery, New York, USA
Lost Objects. Mary Boone Gallery, New York, USA
2016
A VENDRE, EXPOSITION. Michele Didier Gallery, Paris, France
The Shapes Project: Perfect Couples and Spinoffs. Galerie Mitterand, Paris, France
2014
The Shapes Project: Perfect Couples. Friedrich Petzel Gallery, New York, USA
2013
The Book of Shapes. Mfc-michèle Didier, Paris, France
The Shapes Project and The Natural Copies from the Coal Mines of Central Utah. JGM Galerie, Paris, France
Plaster Surrogates Colored and Organized by Andrea Zittel. Petzel Gallery, New York, USA
Perpetual Photos: 1982/1990. Art and Public, Geneva, Switzerland
2012
The Shapes Project: Perfect Couples. Barbara Krakow Gallery, Boston, USA
2011
Allan McCollum: Drawings. JGM Galerie. Paris, France
Perfect Vehicles. Art & Public, Geneva, Switzerland
Each and Every One of You. Galerie Thomas Schulte, Berlin, Germany
Drawings. JGM Galerie, Paris, France
2010
The Shapes Project: Shapes for Hamilton. Clifford Gallery, Colgate University, Hamilton, USA
Each and Every One of You. La Salle de Bains, Lyon, France
Stop Motion. Friedrich Petzel Gallery, New York, USA
Seriality: Sol LeWitt and Allan McCollum. Armand Bartos Fine Art, New York, USA
2009
Allan McCollum: Works 1980-2008 - A Selection. Luciana Brito Galeria, São Paulo, Brazil
Shapes from Maine. Friedrich Petzel Gallery, New York, USA
2008
Allan McCollum: The Shapes Project. Barbara Krakow Gallery, Boston, USA
Sets and Situations. Studio Guenzani, Milan, Italy
Allan McCollum: Drawings. Galeria Pelaires. Mallorca, Spain
2007
The Shapes Project. Friedrich Petzel Gallery, New York, USA
Shapes. Galerie Thomas Schulte, Berlin, Germany
2006
Allan McCollum, Solo 8. Musée d'Art Moderne et Contemporain, Geneva, Switzerland
2005
Each and Everyone of You. Southeastern Center for Contemporary Art, Winston-Salem, USA
2004
Three Perfect Vehicles. Doris Friedman Plaza, Central Park, New York, USA
Each and Every One of You. Barbara Krakow Gallery, Boston, USA
Your Fate. Christine Burgin Gallery, New York, USA
Perpetual Photos. Freiderich Petzel Gallery, New York, USA
Texas Gallery, Houston, USA
2003
The Kansas and Missouri Topographical Model Project. Grand Arts, Kansas City, USA
2001
Signs of the Imperial Valley: Sand Spikes from Mount Signal. University Art Gallery, San Diego State University, San Diego, USA
2000
Small World Drawings. Barbara Krakow Gallery, Boston, USA
Visible Makers. Susan Inglett Gallery. New York, USA
Signs of Mount Signal. Steppling Art Gallery, San Diego State University, Calexico, USA
El Cerro Imposible. Museo Universitario. Universidad Autónoma de Baja California, Mexicali, Mexico
The Return of Sand Spikes. The Imperial Valley Historical Society Pioneers Museum, Imperial, USA
THE EVENT: Petrified Lightning from Central Florida (with supplemental didactics). Friederich Petzel Gallery, New York, USA
1999
Visible Markers. Galeria Massimo de Carlo, Milan, Italy
Allan McCollum: Visible Markers (TACK). Boras Kunstmuseum, Boras, Sweden
1998
THE EVENT: Petrified Lightning from Central Florida (with supplemental didactics). Contemporary Art Museum, University of South Florida, Tampa, USA
Friedrich Petzel Gallery, New York, USA
Musée d'art Moderne Villeneuve d'Ascq, France
Visible Markers. Xavier Hufkens, Brussels, Belgium
1997
Visible Markers. Susan Inglett Gallery, New York, USA
1996
Fixed Intervals. John Weber Gallery, New York, USA; S.L. Simpson Gallery, Toronto, Canada
Actual Photos. Kunstraum, Munich, Germany
1995
Natural Copies from the Coal Mines of Central Utah. John Weber Gallery, New York, USA; Gallery X, Hufkens, Brussels, Belgium
Actual Photos. Metro Picures Gallery, New York, USA; Sprengel Museum, Hannover, Germany
Natural Copies. Sprengel Museum, Hannover, Germany
1994
Drawings. Museum Haus Esters, Krefeld, Germany; S.L. Simpson Gallery, Toronto, Canada
1993
Drawings. Centre d' Art Contemporain, Geneva, Switzerland; Galerie Franck+Schulte, Berlin, Germany
Castello di Rivara, Turin, Italy
Perpetual Photos. Modulo Centro Difusor De Arte, Lisbon, Portugal
Plaster Surrogates. Kohji Ogura Gallery, Nagoya, Japan
The Dog From Pompei. Studio Trisorio, Naples, Italy
Two Hundred and Forty Plaster Surrogates. Shiraishi Contemporary Art Inc., Tokyo, Japan
1992
Lost Objects. John Weber Gallery, New York, USA
The Dog from Pompei. Galeria Weber, Alexander y Cobo, Madrid, Spain; John Weber Gallery, New York, USA
1991
More Drawings. Lisson Gallery, London, UK
May I Help You? American Fine Arts Co., New York, USA
Plaster Surrogates. Galerie Franck + Schulte, Berlin, Germany
1990
Serpentine Gallery, London, UK
IVAM Centre del Carme, Valencia, Spain
Rooseum, Malmö, Sweden
Plaster Surrogates. Galerie Yvon Lambert, Berlin, Germany
Julian Pretto Gallery, New York, USA
Drawings. John Weber Gallery, New York, USA
Perpertual Photos. The Denver Art Museum, Denver, USA; Richard Kuhlenschmidt Gallery, Los Angeles, USA
1989
Individual Works, Perpetual Photos. Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
Perfect Vehicles. Studio Trisorio, Naples, Italy; Rhona Hoffman Gallery, Chicago; Richard Kuhlenschmidt Gallery, Los Angeles, USA
Actual Photos. Urbi et Orbi Gallery, Paris, France
Perpetual Photos. John Weber Gallery, New York, USA
Plaster Surrogates. Galeria 57, Madrid, Spain
Surrogate Paintings. Julian Pretto Gallery, New York, USA
Stedelijk Van Abbemuseum, Eindhoven, Netherlands
1988
Allan McCollum and Louise Lawler. Le Consortium, Centre d’Art Contemporain, Dijon, France
Individual Works. John Weber Gallery, New York, USA; Musee d’Art Contemporain, Nimes, France
Portikus, Frankfurt, Germany
Perfect Vehicles. Galerie Yvon Lambert, Paris, France; The John and Mable Ringling Museum of Art, Sarasota, USA
Plaster Surrogates. Annina Nosei Gallery, New York, USA
Glossies. Julian Pretto Gallery, New York, USA
Perfect Vehicles, 1988. Brooke Alexander, New York, USA
Stichting De Appel, Amsterdam, Netherlands
Kunsthalle Zurich, Switzerland
1987
Perfect Vehicles. Lisson Gallery, London, UK; Diane Brown Gallery, New York, USA
Julian Pretto Gallery, New York
1986
Perfect Vehicles. Cash/Newhouse, New York, USA; Kuhlenschmidt/Simon Gallery, Los Angeles, USA; Rhona Hoffman Gallery, Chicago, USA
Plaster Surrogates. Guttenbergstrasse 62, Stuttgart, Germany
Investigations 1986: Allan McCollum. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
Perpetual Photos. Diane Brown Gallery, New York, USA
1985
Actual Photos. Gallery Nature Morte, New York, USA; Heath Gallery, Atlanta, USA; Texas Gallery, Houston, USA; Rhona Hoffman Gallery, Chicago, USA; Kuhlenschmidt Simon Gallery, Los Angeles, USA
Plaster Surrogates. Lisson Gallery, London,UK; Cash/Newhouse Gallery, New York, USA
1984
Plaster Surrogates. Rhona Hoffman Gallery, Chicago, USA; Richard Kuhlenschmidt Gallery, Los Angeles, USA
For Presentation and Display: Ideal Settings. Diane Brown Gallery, New York
1983
Plaster Surrogates. Marian Goodman Gallery, New York, USA; Douglas Drake Gallery, Kansas, USA
1982
Surrogate Paintings. Galerie Nicole Gonet, Lausanne, Switzerland; Heath Gallery, Atlanta, USA
Ben Shahn Galleries, William Paterson College, Wayne, USA
1981
Glossies. Dioptre, Geneva, Switzerland
Surrogate Paintings. Hal Bromm Gallery, New York, USA
1980
Surrogate Paintings. Galerie Yvon Lambert, Paris, France
1979
Surrogate Paintings. Julian Pretto and Co., New York, USA; Douglas Drake Gallery, Kansas City, USA; Artists Space, New York, USA; 112 Workshop, New York, USA
1977
Claire S. Copley Gallery, Los Angeles, USA
1975
Douglas Drake Gallery, Kansas City, USA
1974
Nicholas Wilder Gallery, Los Angeles, USA
1973
Nicholas Wilder Gallery, Los Angeles, USA
Cusack Gallery, Houston, USA
1972
Jack Glenn Gallery, Corona del Mar, USA
1971
Jack Glenn Gallery, Corona Del Mar, USA
SELECTED GROUP EXHIBITIONS
2024
Perceptions Unveiled: Jeand Dubuffet and Allan McCollum. Galerie 1900-2000, New York, USA
Cosa. Musée régional d'art contemporain Occitanie, Sérignan, France
Unsettled Eye. Ruby City, San Antonio, USA
2023
Repetition. Centre Pompidou Metz, Metz, France
Pictures and After. Musée d'Art Moderne et Contemporain, Genève, Switzerland
Day Jobs. Blanton Museum of Art, Austin, USA
2022
You must go on. I can't go on. I'll go on. Devening Projects, Chicago, USA
Kids Take Over. Vancouver Art Gallery, Vancouver, Canada
2021
Les Citoyens. Triennale di Milano, Milan, Italy
Los Angeles (State of Mind). Palazzo Zevallos Stigliano Museum, Naples, Italy
2020
La vie dans l'espace. Musée Régional d'Art Contemporain, Sérignan, France
X. Frac des Pays de la Loire, Carquefou, France
2019
Shapes / Colors. Galerie des Bains, Geneva, Switzerland
Effets Secondaires. Centre Européen d'Actions Artistiques Contemporaines, Strasbourg, France
Al Norte de la Tormenta. Museo nazionale delle arti del XXI secolo (MAXXI), Rome, Italy
2018
Picture Industry: A Provisional History of the Technical Image. Luma Arles, Arles, France
2017
WE NEED TO TALK... Artists and the public respond to the present conditions in America. Friedrich Petzel Gallery, New York, USA
Cynthia Daignault: There is nothing I could say that I haven't thought before. The FLAG Art Foundation, New York, USA
Unique and Singular. Cirrus Gallery, Los Angeles, USA
Politicizing Space. The Anya and Andrew Shiva Gallery, John Jay College of Criminal Justice, New York, USA
Minimalism/Post-Minimalism. Weatherspoon Art Museum, University of North Carolina, Greensboro, USA
Doppeleröffnung - Karin Sander: Zeigen und The Present Order. Museum of Contemporary Art Leipzig (GfZK), Leipzig, Germany
Darkling. Barbara Krakow Gallery, Boston, USA
Picture Industry. Hessel Museum of Art, Annandale-on-Hudson, New York, USA
2016
In Place of. Miguel Abreu Gallery, New York, USA
The Coveter. Dickinson Roundell, New York, USA
Fade In: Int. Art Gallery – Day. Swiss Institute / Contemporary Art, New York, USA
Art for a Nation: Inspiration from the Great Depression. High Desert Museum, Bend, USA
Allan McCollum and Robert Thill; Ghosting the Screen. Cirrus Gallery, Los Angeles, USA
2015
15. Luciana Brito Galeria, São Paulo, Brazil
The Art of Our Time. Museum of Contemporaray Art, Los Angeles, USA
2014
Take It Or Leave It: Instituion, Image, Ideology. Hammer Museum, Los Angeles, USA
Graphicstudio: Uncommon Practice at USF. Tampa Museum of Art. Tampa, USA
Creativity at Work. Sun Valley Center, Sun Valley, USA
In the Crack of the Dawn. LUMA / Westbau Zurich, Switzerland
NEW YORK IN THE 1980S: URBAN THEATER. Modern Art Museum of Fort Worth, USA
2013
The 55th International Art Exhibition: The Encyclopedic Palace. The Venice Biennale. Venice, Italy
9ª Bienal do Mercosul. Porto Alegre, Brazil
Out of Hand: Materializing the Postdigital. Museum of Arts and Design, New York, USA
CLUES. Barbara Krakow Gallery, Boston, USA
2012
This Will Have Been: Art, Love & Politics in the 1980s. Museum of Contemporary Art, Chicago, USA; Walker Art Center, Minneapolis, USA; Institute for Contemporary Art (ICA), Boston, USA
The Last Days of Pompeii. Decadence, Apocalypse, Resurrection. J. Paul Getty Museum, Getty Villa, Malibu, USA
Object Fictions. James Cohan Gallery, New York, USA
Dark Matters. Hirshhorn Museum, Washington DC, USA
The Way We Live Now. Brooke Alexander Gallery, New York, USA
Last Exit: Pictures. BFAS Blondeau Fine Art Services, Geneva, Switzerland
Tony Oursler, Sol LeWitt, Allan McCollum, Fred Wilson, Keith Sonnier. JGM Galerie, Paris, France
25 Years of Talent. Marianne Boesky Gallery, New York, USA
THANKS: 50th Anniversary Exhibition. Carl Solway Gallery, Cincinnati, USA
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970. Martin-Gropius-Bau, Berlin, Germany
Volume!. Museu d'Art Contemporani de Barcelona, Barcelona, Spain
Hirschfaktor - Die Kunst des Zitierens. ZKM | Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany
Parque Industrial. Galeria Luisa Strina, São Paulo, Brazil
2011
Hyper Real - Kunst und Amerika um 1970. Ludwig Forum für Internationale Kunst, Aachen, Germany
The Wilderness. Miami Art Museum, Miami, USA
CLAP. Hessel Museum of Art, Bard College, Annandale-on-Hudson, USA
PICTURE NO PICTURE. Carriage Trade, New York, USA.
Silence and Time. Dallas Museum of Art, Dallas, Texas
Estratégias para Luzes Acidentais. Luciana Brito Galeria, São Paulo, Brazil
All of the Above: carte blanche à John M Armelder. Palais de Tokyo, Paris, France
Gehen Blühen Fließen — Naturverhältnisse in der Kunst. TStadtgalerie Kiel, Germany
Situation New York 1986. Art and Public – Cabinet P. H. Geneva, Switzerland
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970. J. Paul Getty Museum, Getty Center, Los Angeles, USA
Volume! Museu d’Art Contemporani de Barcelona, Barcelona, Spain
Hirschfaktor - Die Kunst des Zitierens. ZKM | Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany
2010
Vertically Integrated Manufacturing. Murray Guy Gallery, New York, USA
Collecting Biennials. Whitney Museum of American Art, New York, USA
The Shape of Abstraction. The Boston University Art Gallery, Boston, USA
Le sourire du chat. Le Frac des Pays de la Loire, Nantes, France
CLIMAX REDVX. BAC / Bâtiment d’art contemporain, Geneva, Switzerland
Haunted: Contemporary Photography/Video/Performance. Solomon R. Guggenheim Museum, New York
Néo Géo & Cie: L’image de l’abstraction à la fin du XXe siècle. Le Fonds Régional d’Art Contemporain du Limousin, Limoges, France
Human Rites. Bass Museum of Art, Miami, USA
Just a Matter of Time. Galerie Iris Kadel, Karlsruhe, Germany
Gesture, Scrape, Combine, Calculate. Mildred Lane Kemper Art Museum, St. Louis, USA
The Space Between Reference and Regret. Friedrich Petzel Gallery, New York, USA
Americanana. Bertha & Karl Leubsdorf Art Gallery, Hunter College, New York, USA
The Jewel Thief. The Tang Museum, Skidmore College, Saratoga Springs, New York, USA
Le principe monochrome. Fondation Baur, Geneva, Switzerland
2009
From The Archives: 40 Years / 40 Projects. White Columns, New York, USA
A Twilight Art. Harris Lieberman Gallery, New York, USA
Notation: Calculus and Shape in the Arts. KZM | Zentrum für Künst und Medientechnologie, Karlsruhe, Germany
Highlights from the Collection of Fundación La Caixa. Kunsthalle Emden, Emden, Germany
The Pictures Generation, 1974-1984. Metropolitan Museum of Art, New York, USA
Specials Cabinet, Brooklyn, New York, USA
The Secret Life of Objects. Midway Contemporary Art, Minneapolis, USA
LA SUITE. Air de Paris, Paris, France
Portrait of the artist as a biker. MAGASIN – Centre National d’Art Contemporain, Grenoble, France
2008
Estratos. PAC (Contemporary Art Project) Murcia, Spain
Here’s The Thing; The Single Object Still Life. Katonah Museum of Art, Katonah, USA
P2P. Casino Luxembourg - Forum d’art contemporain, Luxembourg
Can of Worms. Christine Burgin Gallery, New York, USA
Flying Start – 1978-1982. Museum Morsbroich, Leverkusen, Germany
Photography on Photography: Reflections on the Medium since 1960. Metropolitan Museum of Art, New York, USA
Peripheral Vision and Collective Body. Museo d’arte moderna e contemporanea, Bolzano, Italy
Standard Sizes. Andrew Kreps Gallery, New York, USA
Alice, son miroir et ses merveilles. Le Musée des beaux-arts et de la Dentelle, Calais, France
Snap Shot. Quint Contemporary Art, San Diego, USA
Biennale de Sculpture. Musée-école de la Perrine, Ville de Laval, France
Notation: Calculus and Shape in the Arts. Akademie der Künste, Berlin, Germany
28th Bienal de São Paulo: In Living Contact. São Paulo, Brazil
Body Memory. Princeton University Museum of Art, Princeton, USA
Art and context III: beyond the white cube. Espacio 1414, Santurce, Puerto Rico
2007
Beneath the Underdog. Gagosian Gallery, New York, USA
What Is Painting? The Museum of Modern Art, New York, USA
Andrea Zittel/Smockshop. Susan Inglett Gallery, New York, USA
Ironie der Objekte. MUSEION - Museo d’arte moderna e contemporanea, Bozen / Bolzano, Italy
Klio - Eine kurze Geschichte der Kunst in Euramerika nach 1945. ZKM | Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany
Repeat Performances: Seriality and Systems Art since 1960. Allen Memorial Art Museum, Oberlin, USA
Art as Idea. Hessel Museum of Art, Bard College, Annandale-on-Hudson, USA
Multiplex: Directions in Art, 1970 to Now. The Museum of Modern Art, New York, USA
Des Fantômes et des Anges. Musée des Arts Contemporains - Site du Grand-Hornu, Belgium
Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection. Center of Curatorial Studies, Bard College. Annandale-on-Hudson, New York, USA
2006
Los Angeles 1955 – 1985. Centre Pompidou, Paris, France
3D: An Exhibition of Contemporary Sculpture. Carl Solway Gallery, Cincinatti, USA
An On-Going Low-Grade Mystery. Paula Cooper Gallery, New York, USA
Discussions dans le Boudoir. Musée Magnin, Dijon, France
A Piece of History. Charles Cowles Gallery, New York, USA
Minimal to the Max: The Brownstone Collection. Tampa Museum of Art, USA
Le noir est une couleur. Fondation Maeght, Saint-Paul-de-Vence, France
Konkretismus : Material/sprache und abstraktion seit 1955. Baden-Württembergisch Bank Vorstand, Stuttgart, Germany
Into A Journey: Harald Klingelhöller, Allan McCollum, Helen Mirra, Jonathan Monk, Lawrence Weiner, Christopher Williams. Meyer Riegger Galerie, Karlsruhe, Germany
Faster! Bigger! Better! ZKM Museum for Contemporary Art, Karlsruhe, Germany
Espacio, Tiempo, Espectador. IVAM Institut Valencià d’Art Modern, Valencia, Spain; Museu Serralves - Museu de Arte Contemporânea, Porto, Portugal
Forms of Classification: Alternative Knowledge and Contemporary Art. Cisneros Fontanals Art Foundation, Miami, USA
2005
Thirty Ways to Make a Painting. The Carl Solway Gallery, Cincinatti, USA
Public Passion. Ludwig forum for international art, Aachen, Germany
Estranged Objects. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, USA
For Presentation and Display: Some Art of the ‘80s. Princeton University Art Museum, Princeton, USA
Wilder: A Tribute to The Nicholas Wilder Gallery, Los Angeles, 1965-1979. Franklin Parrasch Gallery and Joan T. Washburn Gallery, New York, USA
Une image sur un mur: Images et décoration intérieure au XIXe siècle. Musée Goupil, Bordeaux, France
Telling a Work of Art. Barbara Gross Galerie, Munich, Germany
An audiotour by Karin Sander. Galerie Mueller-Roth, Stuttgart, Germany
Pairs, Groups, and Grids. Leslie Tonkonow Gallery + Projects, New York, USA
Summer Exhibition: John Baldessari, Allan McCollum, Matt Mullican, Robert Rauschenberg. Brooke Alexander Gallery, New York, USA
Good Timing. Georg Kargl Fine Arts, Vienna, Austria
Part Object/Part Sculpture. Wexner Center for the Arts, Columbus, USA
Flashback: Revisiting the Art of the Eighties. Museum für Gegenwartskunst, Basel, Switzerland
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper. Andrea Rosen Gallery, New York, USA
Big Bang: Destruction and creation in 20th century art. Le Centre National D’Art et de Culture Georges Pompidou, Paris, France
2004
Singular Forms (Sometimes Repeated): Art from 1951 to the Present. Solomon R. Guggenheim Museum, New York, USA
The Big Nothing. Institute of Contemporary Art, Philadelphia, USA
Modern Means: Continuity and Change in Art, 1880 to the Present. Mori Art Museum, Tokyo, Japan
About Painting. The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, USA
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001. Wexner Center for the Arts, Columbus, USA
La Lettre Volee: The Purloined Letter. FRAC Franche-Comté / Museum of Dole, France
Schöner Wohnen. BE-PART, Waregem, Belgium
O Estado das cousas: O obxecto na arte contemporánea 1960-2000. Museo de Arte Contemporanea de Vigo, Spain
Needful Things. The Cleveland Museum of Art, Cleveland, USA
Telling a Work of Art. Andrew Jensen Gallery, Auckland Gallery, Dunedin, New Zealand
2003
Strangely Familiar: Approaches to Scale in the Collection of The Museum of Modern Art. New York State Museum, Albany, New York, USA
Structures of Difference. Wadsworth Atheneum Museum of Art, Hartford, USA
Retrospectacle: 25 Years of Collecting Modern and Contemmporary Art. Denver Art Museum, Denver, USA
Living with Duchamp. Tang Museum, Skidmore College, Saratoga Springs, New York, USA
Coollustre. Collection Lambert, Avignon, France
The LAPD Project: The Legacy of Pattern and Decoration. Rosamund Felsen Gallery, Santa Monica, USA
Minimal to the Max: The Brownstone Collection. Norton Museum of Art, West Palm Beach, Florida, USA
Crimes and Misdemeanors: Politics in U.S. Art of the 1980s. Contemporary Arts Center, USA
2002
Space Matters. Center for Curatorial Studies, Bard College, New York, USA
Conversation? Recent acquisitions of the Van Abbemuseum. Athens School of Fine Arts (The Factory), Greece
The Object Sculpture. Henry Moore Institute, Leeds, UK
Re-Cast: Postmodern Classicism. Onassis Foundation, Olympic Tower, New York, USA
Malevich, Cinema, and Beyond. Centro Cultural de Belém, Lisbon, Portugal
Iconoclash: Beyond the Image Wars in Science, Religion and Art. ZKM | Center for Art and Media, Karlsruhe, Germany
Embracing the Present. Portland Art Museum, Portland, USA
Multiples: An Incomplete Survey. Brent Sikkema Gallery, New York, USA
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001. The Whitney Museum of American Art, New York, USA
Minimal Art and Its Legacy. The Hirshhorn Museum and Sculpture Garden, Washington D.C, USA
Malevich, Cinema, and Beyond. Fundació “La Caixa,” Madrid, Spain
2001
Mythic Proportions: Painting in the Eighties. Museum of Contemporary Art, North Miami, USA
Richard Artschwager, Louise Bourgeois, Roni Horn, Allan McCollum. Xavier Hufkens, Brussels, Belgium
Picturing America. The Newark Museum, Newark, USA
The Presence of Absence. The Ezra and Cecile Zilkha Gallery at Wesleyan University Center for the Arts, Middletown, USA
Fuzzy Logic. Laguna Art Museum, Laguna Beach, USA
A Work in Progress: Selections from the New Museum Collection. The New Museum, New York, USA
Conceptual Diversity: Selections from the Ringling Museum of Art Post-War Permanent Collection. The John and Mabel Ringling Museum of Art, Sarasota, USA
Algo con que tropezar. Museo Rufino Tamayo, México, D. F., México
Televisions. Kunstalle Wien, Vienna, Austria
Monet’s Legacy: Series - Order and Obsession. Hamburg Kunsthalle, Hamburg, Germany
Letters, Signs & Symbols. Brooke Alexander Gallery, New York, USA
Paso Doble 2: Claude Rutault avec Allan McCollum et Stephen Prina. Muslée d’art moderne et contemporain, Geneva, Switzerland
2000
Art for Art’s Sake. Bard College, New York, USA
Anatomically Incorrect. Museum of Modern Art, New York, USA
The Small World Drawings. Barbara Krakow Gallery, Boston, USA
Actual Size. Museum of Modern Art, New York, USA
Sets and Situations. Museum of Modern Art, New York, USA
Project #0004. Friedrich Petzel Gallery, New York, USA
The Century of Innocence: the History of the White Monochrome. Rooseum Center for Contemporary Art, Malmö, Sweden
Nobodies Home. Kunstbunker-Forum für Zeitgenössische Kunst, Nürnberg, Germany
Frames of Reference: From Object to Subject. Center for the Arts, Trumbull, USA
Picturing Media: Photographs from the Permanent Collection. The Metropolitan Museum of Art, New York. USA
Pollock to Today: Highlights from the Permanent Collection. Whitney Museum of American Art, New York, USA
1999
The Museum as Muse: Artists Reflect. The Museum of Modern Art, New York, USA
The Museum as Muse: Artists Reflect. The Museum of Contemporary Art, San Diego, USA
The American Century: Art and Culture: 1950-2000. Whitney Museum of American Art, New York, USA
Nobodies Home. Momenta Art, Brooklyn, New York, USA
Positioning. Center for Curatorial Studies, Bard College, Annandele on Hudson, USA
Touring the Frame. Rosamund Felsen Gallery, Los Angeles, USA
1998
L’Hypothèse du tableau vole. Muslée d’art moderne et contemporain, Geneva, Switzerland
Artificial. Museu d’Art Comtemporani, Barcelona, Spain
Fast Forward. Kunstverein in Hamburg, Germany
Wanås 98. Wanås Foundation, Knislinge, Sweden
Material Perfection: Minimal Art & Its Aftermath. Festival of Perth, Lawrence Wilson Art Gallery, University of Western Australia
Fotogramas: arte e cinema na coleção Marie Luise Hessel. Museu de Arte Moderna, São Paulo, Brazil
Dijon/Le Consortium.coll: tout contre l’art contemporain. Centre Georges Pompidou, Paris, France
Deep Thought. Basilico Fine Arts, New York, USA
Stills. Center for Curatorial Studies, Bard College, Annandale on Hudson, USA
Stare. Marianne Boesky Gallery, New York, USA
Chemical Traces. Ferens Art Gallery, Kingston upon Hull, USA
The Mass Ornament: the mass phenomenon at the turn of the millennium. Kunsthallen Brandts Klædefabrik, Odense, Denmark
1997
Objects of Desire: The Modern Still Life. Hayward Gallery, London, UK
Produkt: Kunst! wo bleibt das Original? Neues Museum Weserberg, Bremen, Germany; Kunstammlung Gera Orangerie, Germany
United Enemies: Mannerism and Synthesis in Contemporary Art. Jiri Svetska Gallery, Prague, Czech Republic
Allan McCollum/Laurie Simmons, and Karl Blossfeld. SL Simpson Gallery, Toronto, Canada
A House is Not a Home: Everyday Objects in Contemporary Sculpture. Rooseum Center for Contemporary Art, Malmö, Sweden
Dramatically Different. Le Magazin Centre National d’Art Contemporain, Grenoble, France
Fotogramas: arte e cinema na colecão Marieluise Hessel. Centro Cultural Light, Rio de Janeiro, Brazil
1996
L’Informe: Mode d’Emploi. Centre national d’art et de culture Georges Pompidou, Paris, France
Screen. Friedrich Petzel Gallery, New York
Twentieth Century American Sculpture at the White House: Exhibition IV. The Jaqueline Kennedy Garden, The White House, Washington D.C., USA
Bringing It All Back Home. Gracie Mansion/Fred Dorfman Projects, New York, USA
Small Truths: Repetition and the Obsessional in Contemporary Art. John Hansard Gallery, The University, Southampton, UK
Objects of Desire: The Modern Still Life. Museum of Modern art, New York, USA
1995
Critiques of Pure Abstraction. Independent Curators Incorperated, New York, USA
Pittura/Immedia: malerei in den 90er Jahren. Neue Galerie am Landesmuseum Joanneum und Kunstlerhaus, Graz, Austria
The Reflected Image: A Selection of Contemporary Photography from the LAC Collection, Switzerland. Luigi Pecci Museum for Contemporary Art, Prato, Italy
Summer Academy II. PaceWildenstein, New York, USA
Articircolo Melnick 95. Melcick Castle, Melnick, Czechoslovakia
Temporarily Posessed: The Semi-Permanent Collection. The New Museum of Contemporary Art, New York, USA
Corpus Delicti. Museum van Hedendaagse Kunst (S.M.A.K.), Gent, Belgium
Fact, Fiction and Truth: Contemporary Portraits. Lehman College Art Gallery, Lehman College, Bronx, USA
1994
Desire and Loss. Carl Solway Gallery, Cincinatti, USA
Tuning Up. Kunstmuseum Wolfsburg, Germany
Media Visions in Contemporary Art: Selections from the Weatherspoon Collection. Weatherspoon Art Gallery, Greensboro, USA
AURA: The Reality of the Artwork between Autonomy, Reproduction and Context. Wiener Secession, Vienna, Austria
The Label Show: Contemporary Art and the Museum. Museum of Fine Arts, Boston, USA
1993
Internationale Fotografie aus der Sammlung Museum. Moderner Kunst, Vienna, Austria
Kunstruktionzitat. Sprengel Museum, Hannover, Germany
Am Beispiel Plastik. Konzeption und Form. Sprengel Museum, Hannover, Germany
Pirouettes. Lillehammer Art Museum, Norway
Profil d’Une Galerie. Lieu d’ Art Contemporain, Hameau du Lac, Siegan, France
John Armleder / Taro Chiezo / Mark Dion / Sylvie Fleury / Allan McCollum / Hai Steinbach. Anina Nosei Gallery, New York, USA
Sculpture and Multiples. Brooke Alexander Gallery, New York, USA
inad’ vertently. AsherFaure Gallery, Los Angeles, USA
1992
Allegories of Modernism: Contemporary Drawings. Museum of Modern Art, New York, USA
Repetition/Transformation. Museo Nacional de Arte Reina Sofia, Madrid, Spain
C’est Pas la fin de Monde. Galerie d’Art et d’Essai, Bibliotheque Interuniversitaire, Universite de Rennes, France
Overlay. Louver Gallery, New York, USA
Fifteenth Aniversary Exhibition. Rhona Hoffman Gallery, New York, USA
Theoretically Yours. Chiesa di S. Lorenzo, Aosta, Italy
Drawings. Brooke Alexander Gallery, New York, USA
Selected Works from the Early Eighties. K-Raum Daxer, Munich, Germany
Functional Objects by Artists and Architects. Rhona Hoffman Gallery, Chicago, USA
S.L. Simpson Gallery, Toronto, Canada
Galleri Faurschou, Copenhagen, Denmark
Points of Vue et Images du Monde. Galerie Pierre Nouvion, Monte Carlo
Stills. Andrea Rosen Gallery, New York, USA
1991
Beyond the Frame: The Transition From Modernism to Postmodernism in American Art 1960-1990. Setagaya Art Museum, Tokyo, Japan; The National Museum of Art, Osaka, Japan; Fukuoka Art Museum, Fukuoka City, Japan
Objects for the Ideal Home; The Legacy of Pop Art. Serpentine Gallery, London, UK
Zomeropstelling eigen collectie: nieuwe aanwinsten. Stedelijk Van Abbemuseum, Eindohoven, Netherlands
Vom Verschwinden Der Dinge Aus Der Fotografie. Palais Liechtenstein, Vienna, Austria
Vanitas. Galerie Crousel-Robelin-Bama, Paris, France
Masterworks of Contemporary Sculpture, Painting and Drawing: The 1930’s to the 1990’s. Bellas Artes, Santa Fe, USA
Oeuvres Originales. Fonds Régional d’art Contemporain des Pays de La Loire, Carquefou, France
La Garenne Lemot Gétigné, Clisson, France
Just what is it that makes today’s homes so different, so appealing? The Hyde Collection, Glen Falls, New York, USA
de-Persona. The Oakland Museum, Oakland, USA
Appropriation and Re-Photography. Fonds Régional d’art Contemporain des Pays de La Loire, La Garenne Gétigné, Clisson, France
Large Sculpture. John Weber Gallery, New York, USA
La Revanche de L’Image. Galerie Pierre Huber, Geneva, Switzerland
Media Culture. Studio Oggetto, Milan, Italy
Inscapes. Stichting De Appel, Amsterdam, Netherlands
Galerie Samuel Lallouz, Montreal, Canada
Distribution: Random and Deliberate. Davis/McClain Gallery, Houston, USA
Works on Paper. Gallery 1709, St. Louis, USA
Three Rooms. Galerie Franck + Schulte, Berlin, Germany
Galeria Weber, Alexander y Cobo, Madrid, Spain
Drawings. ARCO, Madrid, Spain
1991 Carnegie International. The Carnegie Musum of Art, Pittsburgh, USA
Departures: Photography 1923 – 1990. Irist and B. Geral Cantor Art Gallery, College of the Holy Cross, Worcester, USA; Denver Art Museum, USA; Joslyn Art Museum, USA; Pittsburgh Center for the Arts, USA; Goldie Paley Gallery, Moor College of Art and Design, Philadelphia, USA; Telfair Academy of Arts and Sciences, Savannah, USA
1990
The Readymade boomerang; Certain Relations in 20th Century Art. Sydney Biennale, Art Gallery of New South Wales, Sydney, Australia
The Indomitable Spirit. International Center for Photography, New York, USA
Life-Size: A Sense of the Real in Recent Art. Israel Museum, Jerusalem
Un art de la Distinction. Abbaye Saint-Andre Cenre d’Art Contemporain a Meymac, France
Against Interpretation (Towards A Non-Representational Photography). CEPA, Buffalo, USA
Abstraction in Contemporary Photography. Emerson Gallery, Gamilton College, Richmond, USA
La Collection Del Oeuvres Photographiques Du Musee De La Roche-Sur-Yon. Musee De La Roche-Sur-Yon, France
Par Hazard. Douglas Drake Gallery, New York, USA
Taking the Picture: Photography and Appropriation. Leo Castelli Gallery, Milan, Italy
All Quiet on the Western Front. Espace Dieu, Paris, France
Linda Farris Gallery, Seattle, USA
Galerie Faurschou, Copenhagen, Denmark
The Last Decade: American Artists of the ‘80s. Tony Shafrazi Gallery, New York, USA
New York, New York. Galerua 57, Madrid, Spain
IS ’90 Exhibition. Washington D.C., USA
Figures et Lectures. Galerie Samia Saouma, Paris, France
Summer Group Show, John Weber Gallery, New York, USA
Strategies for the Last Painting. Jamie Wolff Gallery, New York, USA
Three Decades. The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, USA
La Guerre de Troie N’Aura Pas Lieu. Chateau D’Oiron, France
1989
1989 Whitney Biennial Exhibition. The Whitney Museum of American Art, New York, USA
Contemporary American Sculpture: Signs of Life. Fundação Calouste Gulbenkian, Lisbon, Portugal
A Forest of Signs: Art in the Crisis of Representation. The Museum of Contemporary Art, Los Angeles, USA
Bilderstreit: Wiederspruch, Einheit und Fragment in der Kunst seit 1960. Museum Ludwig, Rheinhallen der Kölner Messe, Cologne, Germany
The Photography of Invention: American Pictures of the 1980s. The National Museum of American Art, Washington D.C., USA
Culture Medium. International Center of Photography, New York, USA
The Desire of the Museum. Whitney Museum of American Art at Federal Reserve Plaza, New York, USA
Conspicuous Display. Stedman Art Gallery, Rutgers University, Camden, USA
Art at the End of The Social. Rooseum, Malmö, Sweden
Anti-Simulation: A Debate on Abstraction. Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, USA
Departures: Photography 1924 – 1989. Hirschl and Adler Modern, New York, USA
Galerie Isabella Kacprzak, Cologne, Germany
Art Collected: Private, Corporate and Museum Contexts. University Art Museum, Binghampton, New York, USA
Hybrid Neutral: Modes of Abstraction and the Social. Richard F. Brush Art Gallery, St. Lawrence Museum, New York, USA
Melancolia. Galerie Grita Insam, Vienna, Austria
Das Licht Von Der Anderen Seite. Galerie F. C. Gundlach, Hamburg, Germany
Small-Scale Work. Scott Hanson Gallery, New York, USA
80’s International. Langer and Co., New York, USA
Mondi Possibili. Le Casa d’Arte, Milan, Italy
Galerie Pierre Huber, Geneva, Switzerland
Galerie Isabella Kacprzak, Köln, Germany
Recent Acquisitions. Carl Solway Gallery, Cincinnati, USA
Buena Vista. John Gibson Gallery, New York, USA
Image World: Art and Media Culture. Art and Media Culture. The Whitney Museum of American Art, New York, USA
The Play of the Unsayable. Wiener Secession, Vienna, Switzerland
Laurie Simmons et Allan McCollum. Urbi et Orbi Gallery, Paris, France
Group Show. Richard Kuhlenschmidt, Los Angeles, USA
1988
Allan McCollum / Richard Prince. Kunsthalle Zurich, Switzerland
The Color Alone: The Monochrome Experiment. Musée St. Pierre d'Art Contemporain, Lyon, France
43ª Biennale di Venezia, Venice, Italy
New York in View. Kunstverein München, Munich, Germany
Allan McCollum / Tim Ebner / Gaylen Gerber. Ricky Renier Gallery, Chicago, USA
Une autre affaire. Le Consortium, Centre d’Art Contemporain, Dijon, France
Cultural Geometry. Deka Foundation House of Cyprus, Athens, Greece
NY Art Now. The Saatchi Collection, London, UK
Alive / Survive: Amerikanische Kunst in K3. Kampnagelgelende, Hamburg, Germany
John Weber Gallery, New York, USA
Active Surplus. 49th Parallel, New York, USA
Richard Artschwager: His Peers and Persuasion 1963 – 1988. Leo Castelli Gallery, New York, USA
Sculpture Parallels. Sidney Janis Gallery, New York, USA
A ‘Drawing’ Show. Cable Gallery, New York, USA
Art at the End of the Social. Rooseum, Malmö, Sweden
Two to Tango: Recent American Photography. International Center for Photography, New York, USA
Information as Ornament. Feature and Rezac Gallery, Chicago, USA
Painting & Photography. Milford Gallery, New York, USA
Matris. Malmö Konsthall, Sweden
1987
Active Surplus: The Economy of the Object. The Power Plant, Toronto, Canada
The Castle. Documenta 8, Kassel, Germany
Implosion: et postmodernt perspektiv. Moderna Museet, Stockholm, Sweden
Photography and Art: Interactions Since 1946. Los Angeles County Museum of Art, Los Angeles, USA
Le Jour et la Nuit. L’Orangerie du Chateau du Meudon, France
L’Objet de la Peinture. Ecole superieure d’art visual, Geneva, Switzerland
Cadres en l’aire. Galerie d’Art et d’Essai, Bibliotheque Interuniversitaire, Universite de Rennes, France
Contemporary Photographic Portraitire. Musee St Pierre, Art Contemporain Lyon, France
Avente-Garde in the Eighties. Los Angeles County Museum of Art, Los Angeles, USA
New York Now. Israel Museum, Jerusalem
Armleder, Mosset, Rockenschaub and McCollum. Galerie Sylvana Lorenz, Paris, France
The Art of the Real. Galerie Pierre Huber, Geneva, Switzerland
Recent Tendencies in Black and White. Sidney Janis Gallery, New York, USA
Photographic Work from 1974-1987. Douglas Drake Gallery, New York, USA
The Ironic Sublime. Galerie Albercht, Munich, Germany
The Spiral of Artificiality. Hallwalls, Buffalo, USA
Selections from the John Weber Gallery. Fay Gold Gallery, Atlanta, USA
Bronze, Plaster and Polyester. Goldie Paley Gallery, Moore College of Art, Philadelphia, USA
The Hallucination of Truth. P.S.1, Long Island City, USA
Alan Belcher, Nancy Dwyer, and Allan McCollum. Le Casa d’Arte, Milan, Italy
Sculptures. Galerie Charles Cartwright, Paris, USA
Currents 12: Simulations New American Conceptualism. Milwaukee Art Museum, USA
1986
Damaged Goods: Desire and the Economy of the Object. The New Museum of Contemporary Art, New York, USA
Dissent: The Issue of Modern Art in Boston, Part III, ‘As Found’. Institute of Contemporary Art, Boston
In the Tradition of: Photography 1915-1986. Light Gallery, New York, USA
MASS. The New Museum of Contemporary Art, New York, USA
P. Gallery 303, New York, USA
Signs of Painting. Metro Pictures, New York, USA
Time After Time. Diane Brown Gallery, New York, USA
Rooted Rhetoric. Castel Dell ‘Ovo, Naples, Italy
The Real Big Picture. Queens Museum, Queens, New York, USA
The Red Show. Massimo Audiello Gallery, New York, USA
Acceptable Entertrainment. Bruno Faccetti Gallery, New York, USA
Spiritual America. CEPA, Buffalo, New York, USA
Television’s Impact on Contemporary Art. Queens Museum, New York, USA
Ultrasurd. S.L. Simpson Gallery, Toronto, Canada
Il Cagiante. Padiglione d’Arte Contemporanea, Milan, Italy
1985
The Anticipated Ruin. The Kitchen, New York, USA
Final Love. Cash Newhouse, New York, USA
Persona Non Grata. Daniel Newburg Gallery, New York, USA
Americana. Whitney Museum of American Art, New York, USA
The Public Art Show. Nexus Contemporary Art Center, Atlanta, USA
A Life of Signs. Michael Klein, Inc., New York, USA
1984
Ailleurs et Autrement. Musée d’Art Moderne de la Ville de Paris, Paris, France
Allan McCollum and James Welling. Cash Newhouse Gallery, New York, USA
Allan McCollum, Richard Wentworth. Lisson Gallery, London, UK
Artists’ Call. Marian Goodman Gallery, New York, USA
Contemporary Perspectives. Center Gallery, Bucknell University, Lewisburg, USA
A Different Climate: Aspects of Beauty in Contemporary Art. Stadische Kunsthalle, Dusseldorf, USA
Natural Genre. Florida State University Fine Arts Gallery, Tallahassee, USA
POP. Spiritual America, New York, USA
Re-place-ment. Hallwalls, Buffalo, New York, USA
1983
New York Now. Kester-Gesellschaft, Hanover, Germany
The California Collection: Sixteen Paintings from the Gifford and Joann Phillips Collection. Museum of Fine Arts, Museum of New Mexico, USA
1982
Louise Lawler, Allan McCollum, Sherrie Levine, Dan Freeman. The Eyelevel Gallery, Halifax, Nova Scotia.
Dark Thoughts: Black Paintings. Pratt Institute Gallery, New York, USA
Punctuated/Unpunctuated. The Grommet Gallery, New York, USA
Cheap and Easy. Inroads Gallery, New York, USA
U.S. Art Now. Nordiska Kompaniet, NK-Teatren, Stockholm, Sweden; Konsthallen, Gstaplatsen, Gsteborg, Sweden
1981
Preview – New Works. Marian Goodman Gallery, New York, USA
Thirty-Five Artists Return to Artists Space: A Benefit Exhibition. Artists Space, New York, USA
Artists and Furniture. Magnuson Lee Gallery, Boston, USA
Hal Bromm Gallery, New York, USA
1980
Further Furniture. Marian Goodman Gallery, New York, USA
Drawings. Leo Castelli Gallery, New York, USA
1979
New Work / September 1979. Hal Bromm Gallery, New York, USA
1978
Drawing and Painting on Paper. Charlotte Crosby Kemper Gallery, Kansas City Art Institute, USA
1977
Unstretched Surfaces: Los Angeles-Paris. Los Angeles Institute of Contemporary Art, USA
1975
Biennial Exhibition. Whitney Museum of American Art, New York, USA
Eight Artists from Los Angeles. Emanuel Walter Gallery, San Francisco Art Institute, USA
Drawings and Works on Paper. Dootson Calderhead Gallery, Seattle, USA
1974
Contemporary American Painting and Sculpture. Krannert Art Museum, Champaign, USA
15 Abstract Artists, Los Angeles. Santa Barbara Museum of Art, USA
Painting in America: Yesterday and Tomorrow. The Decorative Arts Center, New York, USA
1973
Twelve Statements Beyond the Sixties. The Detroit Institute of Arts, Detroit, USA
1972
Color-Field Painting to Post-Color-Field Abstraction: Art for the Seventies. Nelson Art Gallery, Kansas City, USA
Fifteen Los Angeles Artists. Pasadena Art Museum, USA
Los Angeles ’72. Sidney Janis Gallery, New York, USA
Arnoldi / Cooper / McCollum / Wudl. Art Gallery, California State University, Fullerton, USA
Art of the Seventies. Seattle Art Museum, Seattle, USA
1971
24 Young Los Angeles Artists. Los Angeles County Museum of Art, Los Angeles, USA
New Painting in Los Angeles. Newport Harbor Art Museum, Balboa, USA
Off the Stretcher. Oakland Museum, Oakland, USA
After-Quake. The Friends of Contemporary Art, Denver, USA
1970
Venice, California/70. California State Art Gallery, California State College, Los Angeles, USA
Eighth Annual Southern California Exhibition. Long Beach Museum of Art, Long Beach, California, USA
1969
Los Angeles Annual Art Exhibition. The Municipal Art Gallery, Los Angeles, USA
Mt. San Antonio College Second Biennial Exhibition of Painting and Drawing. Mt. San Antonio College Art Galleries, Walnut, USA
Public Collections
The National Gallery of Art, Washington D.C., USA
Hirshhorn Museum, Washington D.C., USA
Museum of Modern Art, New York, USA
Whitney Museum of American Art, New York, USA
Solomon R. Guggenheim Museum, New York, USA
Metropolitan Museum of Art, New York, USA
The New Museum of Contemporary Art, New York, USA
The Museum of Fine Arts, Boston, USA
The Wadsworth Atheneum, Hartford, USA
Museum of Modern Art, San Francisco, USA
Los Angeles County Museum of Art, USA
Museum of Contemporary Art, Los Angeles, USA
The Museum of Contemporary Art, San Diego, USA
Denver Art Museum, USA
Art Institute of Chicago, USA
Detroit Institute of the Arts, USA
High Museum of Art, Atlanta, USA
Museum of Fine Arts, Houston, USA
Seattle Art Museum, USA
Newark Museum, Newark, USA
Grey Art Gallery, New York University, USA
Tang Museum, Saratoga Springs, USA
Rhode Island School of Design Museum of Art, USA
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA
Allen Memorial Art Museum, Oberlin, USA
Museum of Contemporary Art, North Miami, USA
University of South Florida Contemporary Art Museum, Tampa, USA
Hillsborough County Museum of Science and Industry, Tampa, USA
John & Mable Ringling Museum of Art, Sarasota, USA
Norton Museum of Art, West Palm Beach, USA
Long Beach Museum of Art, USA
Santa Barbara Museum of Art, Santa Barbara, USA
Springfield Museum of Fine Art, USA
Daum Museum of Contemporary Art, Sedalia, USA
The Mildred Lane Kemper Art Museum, Washington University, St. Louis, USA
Laguna Art Museum, Laguna Beach, USA
The Nelson-Atkins Museum of Art, Kansas City, USA
Des Moines Art Center, Des Moines, USA
Santa Fe Museum of Art, USA
Cincinnati Art Museum, Cincinnati, USA
Cleveland Museum of Art, Cleveland, USA
Weatherspoon Art Gallery, Greensboro, USA
New Orleans Museum of Art, New Orleans, USA
Washington University, St. Louis, USA
Daum Museum of Contemporary Art, Sedalia, USA
Imperial County Pioneers Museum, Imperial, USA
Nora Eccles Harrison Museum of Art, Utah State University, Logan, USA
National Gallery of Canada, Ontario, Canada
Vancouver Art Gallery, Vancouver, Canada
Van Abbe Museum, Eindhoven, The Netherlands
Museum Boijmans Van Beuningen, The Netherlands
Louisiana Museum of Modern Art, Humlebaek, Denmark
Rooseum, Malmö, Sweden
Wanås Foundation, Knislinge, Sweden
City of Malmö, Sweden
City of Montpellier, France
Musée National d'Art Moderne, Paris, France
Centre Georges Pompidou, Paris, France
Musée d'Art Moderne-Villeneuve d'Ascq, France
Musée de Grenoble, France
Fondation Cartier pour l'art contemporain, France
Le Consortium, Dijon, France
Kadist Art Foundation, Paris, France.
Fonds Régional d'Art Contemporain, Bourgogne, France
Fonds Régional d'Art Contemporain, Dunkerque, France
Musée de la Roche-sur-Yon, France
Fonds Régional d'Art Contemporain - Pays de la Loire, Carquefou, France
Musée d'Art Moderne et Contemporain (MAMCS), Strasbourg, France
Castello di Rivoli: Museo d'Arte Contemporanea, Italy
Museum of Modern Art, Vienna, Austria
Sprengel-Museum, Hannover, Germany
Museum van Hedendaagse Kunst Muhka, Antwerp, Belgium
KunstMuseum Wolfsburg, Wolfsburg, Germany
Museum Ludwig, Rheinhallen der Kölner Messe, Cologne, Germany
Centre d'art Contemporain, Geneva, Switzerland
Musée d'art Contemporain et Moderne, Geneva, Switzerland
Fotomuseum, Winterthur (Zurich), Switzerland
Instituto Valenciano de Arte Moderno, Valencia, Spain
Fundació "la Caixa," Centre Cultural, Barcelona, Spain
Fundación Arco, Santiago, Spain.
Ellipse Foundation, Alcoitão, Lisboa, Portugal
Berardo Museum - Collection of Modern and Contemporary Art, Lisbon, Portugal
Israel Museum, Jerusalem, Israel
New Tokyo Metropolitan Museum, Japan
National Museum of Contemporary Art, Seoul, Korea